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Why Many Creators Don’t Feel the Love From Big Brands

By Nat Ives | WSJ Leadership Institute

 

Welcome back. Today, the sprawling creator economy seems daunting for major marketers.

A crowd holds up their phones to Paige DeSorbo as she is styled by a man in a TRESemmé shirt

Unilever’s TRESemmé last year named the reality TV star and creator Paige DeSorbo as a brand ambassador. Dave Kotinsky/Getty Images

While some major marketers say they’re moving spending from TV and digital advertising to social-media creators, the money is lagging behind both consumer trends and the growth in creators themselves, the WSJ Leadership Institute’s Patrick Coffee reports this morning.

That’s spreading budgets thin, discouraging potentially more effective long-term partnerships and leaving many out in the cold, creators say.

“Every creator wants to work with the brands,” said Sam Beres, who goes by Sambucha to his millions of followers on YouTube and TikTok. “Creators will have their hands out like, ‘Hey, we’re ready, we’d love to work with you. Pay me something close to what I think I should get.’ There’s just not enough volume of brands coming in.”

I asked Patrick two follow-ups:

Putting aside the interests of creators for a second, why should it matter to marketers if household-name brands are slow to move budgets to creators?

Patrick: Every marketer knows they need to participate in the creator economy, but figuring out where to be and how to show up there is only getting more complicated.

Thinking of myself as a consumer, I follow some YouTube and TikTok creators, who tend to focus on wonky stuff like maps and linguistics and the funeral industry. So they’re definitely not MrBeast. But they do get millions of views on some videos, and their brand partners are almost always like project management software or news aggregation sites or other things that I’ve never heard of and have no interest in.

I’m not saying an organic baby food company needs to sponsor a video about the history of Lenin’s tomb. But finding some way to work with a creator whose stuff I watch regularly would be one of the best ways to reach me. And I just don’t see big brands anywhere.

What advice would creators have for any readers who work at major marketers that haven't embraced creators yet but want to?

Patrick: Samir, one half of the creator duo Colin & Samir, told me that the most important thing for a marketer is to actually watch a creator you want to work with to figure out how your brand might be present without disrupting their flow and irritating their viewers. This is especially true if you want the kind of longer-term partnership that everyone tells me is most valuable over time.

Sambucha said marketers should consider niche creators who focus on very specific subjects, kinda like the people I mentioned before. They’re easier and cheaper to work with than big names, and their audiences are much more dedicated than those of someone who goes viral every once in a while, so they will actually pay attention to who’s sponsoring the work.

That kind of consistency is ultimately much more important than attaching your brand to something that happened to get a lot of views.

 
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Biopic Box Office

A scene from 'Michael'

Jaafar Jackson stars as Michael Jackson in a new biopic packed with musical performances. Glen Wilson/Lionsgate/Everett Collection

Hollywood’s bet that audiences want to celebrate Michael Jackson was rewarded this weekend, as the biopic about the pop star opened to an estimated $217.4 million in worldwide sales, Ben Fritz writes for the Journal.

Lionsgate and Universal Pictures’ “Michael” grossed $97 million domestically and $120.4 million internationally, according to the studios. In the U.S. and Canada, it posted the biggest-ever opening for a biopic, market-research firm Comscore said.

Despite largely negative reviews from critics who called the film superficial, audiences flocked to the uplifting take on Jackson’s early career packed with classic songs like “Bad” and “Thriller.”

“Michael” earned an A- grade from opening-night audiences, according to market-research firm CinemaScore.

Fact-checking “Michael”: The movie’s depiction of the Pepsi commercial shoot where Jackson’s hair caught on fire is roughly accurate, but leaves out the painkillers that ensued. And whether MTV finally played Jackson’s videos hours after a threatening call from CBS Records remains in dispute. [NYT]

On the horizon: The subjects of the HBO documentary “Leaving Neverland” are set to press their accusations against Jackson in a trial next year. Director Dan Reed hopes to make another film. [THR]

 

The Magic Number

$50

Regal Cinemas’ price for a single ticket to see “Dune: Part Three” on opening night in its best theaters. Eye-popping prices for the most in-demand movies on the best screens are becoming increasingly common as the cinema industry copies the audience-segmentation playbooks of airlines and hotels, getting people who love movies and have discretionary income to pay substantially more.

 

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We bring you the most important (and intriguing) marketing and experience news every day. Write me at nat.ives@wsj.com any time with feedback on the newsletter or comments on specific items. We want to hear from you.

And follow the CMO Today team on X: @wsjCMO, @megancgraham, @dollydeighton, @patrickcoffee and @natives.
 
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