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P&G Microdramas Land in Supermarkets; A Look Ahead at Cannes

By Nat Ives | WSJ Leadership Institute

 

Good morning. This is Katie Deighton filling in for Nat Ives. Today, the worlds of retail media and branded entertainment collide at the seafood counter, and Publicis lays out its Cannes mission statement.

A grandmother who helps run her family’s taco stand stocks up on avocados in the first episode of ‘Rico’s Tacos,’ a new short-form scripted series from P&G and Albertsons. BRILLA MEDIA

Chatter around microdramas has felt unavoidable of late. If you're an Albertsons shopper, the scripted shows are about to become literally unavoidable, as Procter & Gamble prepares to play 15-second teasers of a new show it has developed throughout the chain's supermarkets.

“Rico’s Tacos” was developed in collaboration with Albertsons Media Collective, the supermarket chain’s ad sales and data division, the WSJ Leadership Institute’s Patrick Coffee reports.

Albertsons plans to air the trailers on digital screens placed in locations like its stores’ entrance areas, meat and seafood counters, and outdoor refueling stations. The screens will feature QR codes leading back to the Albertsons app, where shoppers can watch full episodes and check out the chain’s latest loyalty program offers.

The show, whose one- to two-minute episodes feature P&G products, represents a collision of sorts between two of the hottest trends in marketing: branded content and retail media.

P&G for decades has attempted to merge advertising with entertainment. I asked Patrick how this new format might go down with shoppers.

A few years ago we reported on how Walgreens’ experiments with interactive cooler screens annoyed consumers. How much have Albertsons and P&G thought about the customer experience with this endeavor?

Patrick: As a P&G executive told me, no one expects consumers to come across a teaser for this show while they’re picking up produce and then drop everything to watch it, no matter how short the episodes are.

The hope is that the clips might just catch somebody’s eye, and that person might remember to check out the show while they’re getting ready for bed that night, and then they might remember that there are a few things they need to pick up next time they go to the store. And look at the app, there’s a sale on P&G beauty products!

So the idea is not so much that they want to improve the customer experience as they want to promote themselves in a less direct way without actively interrupting the experience. That’s one reason they opted to keep the videos silent (to the all-but-certain relief of Albertsons employees).

In the story, I referenced a recent study from a company that sells in-store ad screens. Consumers said they felt most negatively about ads on the cooler doors and on the aisles, meaning those vertical display ads that jut out from the side of the aisle, and especially the “shelf talkers” or promos that hang right below or beside the product. It’s like, OK, cold medicine, I know you’re there. Stop trying to force me to look at you!

 
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With golf championship season in full swing, the United States Golf Association has begun rolling out an AI-powered solution intended to make the rules of the game more accessible. Read More

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Cannes Ahead

Publicis's short was inspired by the overblown promises agencies can make during the pitch process. PUBLICIS

Once upon a time, executives could show up to Cannes Lions for a few lunches and yacht parties then fly home satisfied by a job well done. Now, it’s common for agency groups to plant mission statements in the beach sand ahead of time as they justify the expense of the annual trip to the French Riviera.

Publicis Groupe, for example, yesterday said it would use its Cannes platform to draw attention to the scourge of AI pitch promises. The technology has only widened the gap between what is promised in pitches and what can actually be achieved, the French holding company said in a press release.

The announcement was accompanied by a mockumentary film inspired by the overblown promises agencies can make during the pitch process. “They showed us an actual slide saying we wouldn’t have to pay them until they won us a Gold Lion,” one “anonymous client” reveals in the video.

My colleague Suzanne Vranica pointed out that this kind of behavior had been an issue long before AI sunk its teeth into Madison Avenue. “Not sure what it will take for agencies to recognize that there is value in what they do and giving it away for free is a road to nowhere,” she wrote.

Has AI made pitches more preposterous? Send me an email with your thoughts. We'll publish a selection of responses.

In other Riviera-related news, Adweek reported on two stories that highlight the growing power of the influencer economy within the marketing industry.

As Croisette big-timer WPP steps back from renting swaths of the beach, Adobe said 2026 will mark its largest Cannes Lions investment to date. The company was named as the first headline partner of the festival’s creator program, and is planning to set up shop on the Lions Creators Beach.

Meanwhile, Cannes veterans may be shocked to learn that the MediaLink Beach is no more, at least in name, for 2026. MediaLink’s owner, United Talent Agency, has rebranded the beachside structure as UTA Beach, nearly five years after it purchased the advisory firm. The revamped space “reflects how Cannes has shifted from a CMO-agency schmooze‑fest to an agenda-setting calendar event for creators,” according to Adweek.

And finally—Godspeed to the Cannes Lions sales team, which less than one week out sent an email blast reminding ad land that “there’s still time to attend.” If you were wondering, a direct business class roundtrip to Nice departing from Newark on Saturday and returning next Friday with United will currently set you back around $38,400. Economy seats are sold out.

Related: The official judgmental map of Cannes Lions 2026 [Digiday]

 

Quotable

“Even though they’re complaining, they're still shopping.”

— Retail consultant Liza Amlani on customers of Brandy Melville, the “one-size fits most retailer” that has closed its fitting rooms. Some employees said they were told it was because of an uptick in theft, as well as customers using chewing gum to adhere finicky curtains to the walls.
 

The Magic Number

$2.7 billion

The price of Pizza Hut. Yum Brands struck a deal to sell the pizza chain’s operations outside of China to LongRange Capital in the wake of a sales slump. Yum China, a spinoff of the parent company, agreed to acquire Pizza Hut’s China business.

 

Keep Reading

'Jake from State Farm' appeared at an agents' conference right before its CEO dropped a bombshell. Mike Lawrie/Getty Images

State Farm sales agents are in revolt over new contracts laid out after the company was overthrown as the nation’s biggest personal auto insurer. [WSJ]

Rivian laid off hundreds of employees from its service and customer organization, which handles sales and marketing. [WSJ] 

Snap priced its first AR glasses at $2,195. [CNBC]

Adtech startup Hightouch offered Publicis up to $1.2 billion for LiveRamp’s identity business—less than a month after the holdco acquired the firm. [Axios]

Frozen yogurt spots are cool again—and charging $30 a bowl. [Bloomberg]

Anthropic’s AI-alarmist marketing strategy may have worked a little too well. [WSJ]

Beauty companies now want you to spend money on “scalp care.” [WSJ]

An interview with Silk White, the former drug dealer whose shows make millions without Hollywood. [WSJ]
 

 
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About Us

We bring you the most important (and intriguing) marketing and experience news every day. Write me at nat.ives@wsj.com any time with feedback on the newsletter or comments on specific items. We want to hear from you.

And follow the CMO Today team on X: @wsjCMO, @megancgraham, @dollydeighton, @patrickcoffee and @natives.
 
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