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Light a candle and turn the page

A little over a year ago, a group of us got together with the aim of producing a monthly magazine about books featuring established and emerging authors, and including author interviews, extracts, short stories, essays, diaries and features by our favourite writers about their latest work and themes or how they started out.

We quickly extended into visual stories, including excerpts from graphic novels, photography books and exhibitions that catch our eye, as well as film adaptations.

In our first anniversary issue, we investigate the borders between fact and fiction, and explore how narrative is used to make sense of history and to hold onto human emotion. Topics include the relationship between advertising and fiction, why mermaids are no longer seen in the world’s oceans, tender stories of heartbreaking cover-ups, grief and loss, and how to approach novels on themes of human failings, war and terror.

Please wish us a happy first birthday by sharing your favourites from the stories below with your friends.

Here be sea monsters by Aaron Thier

“The disappearance of mermaids in our own time is ascribed to numerous causes. To the warming oceans, to pollution, to the overfishing of those species upon which mermaids subsisted, and to the accidental capture of mermaids by vast fishing fleets. The truth probably comprehends some combination of these factors, and thus the transit and eclipse of the mermaid becomes yet another figure for the devastation man has wrought upon his world.”

'Balloon night' by Tom Barbash
"Timkin’s wife left him during a blisteringly cold Thanksgiving week, two nights before their annual Balloon Night party. There was no time for Timkin to call their guests and cancel; nor would he know where to call in many cases. It was the sort of event attended by people from all corners of their lives whether or not they could produce a fresh invite..."

Sarah Rayner: Gimme a break
“In an ad agency you can’t let your own opinion or political convictions get in the way – no sausage manufacturer wants to hear your views on factory farming, they just want their bangers sold.”

The copywriter-turned-novelist explores what fiction writers can learn from the art of advertising.

Nikesh Shukla: Superhumour
“I think people who know me will read the book and try and make links to my own life, but that’s the trick about writing comedy – you write what you know and you amp up the pain and the tragedy and the singular weirdness of people, and then you’ve got something people can laugh at. By taking elements of my real life and making it grotesque."

Erwin Mortier: History is debate

“The answers that history can provide depend on the questions we pose, and we put different questions and the answers are never fully clear. And of course there is the tendency because we are human beings to put it into neat narratives and to close it.”

'A mother ago' by Andrés Neuman
“What was my mother’s illness? It doesn’t matter. It is the least important thing. It is out of focus. An illness that made her walk like a little girl, draw closer step by step to the ungainly creature she had been at the beginning of time.”

'No subject' by Brittney Inman Canty
“‘Dad,’ she said, and waited a moment before hanging up. It felt like every part of her being was saying his name, as if she could resurrect him by calling out to him from some deep part of herself.”

Jussi Adler-Olsen’s damaged hero
Watch an exclusive preview clip from the major new film The Keeper of Lost Causes, based on Jussi Adler-Olsen's first Department Q/Carl Mørck novel.

Gavin Maxwell and Mark Adlington: An instinct to play

“The really steady play of an otter, the time-filling play born of a sense of well-being and a full stomach, seems to me to be when the otter lies on its back and juggles with small objects between its paws.”

Extract and illustrations from the centenary edition of Ring of Bright Water.

In other waters

Extracts from Emily Gould’s essay collection And the Heart Says Whatever, Ben Ambridge’s Psy-Q, Erwin Mortier’s While the Gods Were Sleeping and Mario Sabino’s The Day I Killed My Father; Karin Altenberg favours Breece D’J Pancake’s ‘Trilobites’; Bilal Tanweer untangles terror in Karachi; Sandra Newman invents a future dialect; Monique Roffey’s writers’ tips; Jo Walton’s preferred reading; the writing journeys of Sarah Perry and Jon Walter; at home with Patricia Ferguson, David Bezmozgis, Neil Bartlett and Greg Baxter; and a bonus micro-story by Andrés Neuman.

Are you a New Voice?

We welcome submissions to our New Voices strand from writers keen to rise to the surface with their stinging tales. Submit

And each month we alert you to new writing competitions as they are announced. Get writing, and good luck!

Competition deadlines

Brick Lane Short Story Competition
30 August 2014

Mslexia memoir competition
22 September 2014

American Literary Review Awards
1 October 2014

Boston Review’s Aura Estrada Short Story Competition
1 October 2014

Zoetrope All-Story Short Fiction Contest
1 October 2014