Various interpretations of BOOBS are the focal point of Hamid’s 15-piece exhibition, and many of her works incorporate emojis. Hamid illustrates in BOOBS few boundaries and perpetual freedom. She works in photography and advanced technologies and has an eye for exceptional color coordination and social nuances. Hamid was born in Frankfurt, Germany in 1981, lived internationally during her childhood before moving to the Bay Area for college in 2001, and was drawn to San Francisco as her home base in 2008. She studied Graphic Design and Photography at San Jose State University, and continues to explore design and photography on a daily
basis. A self-professed “style cultivator,” in 2010 Hamid helped Fancy.com, as their editor-in-chief, get off the ground. By 2011 Proctor and Gamble had taken notice of Hamid and appointed her as their Style Curator for their brand Sebastian Professional, which sent her on worldwide journey to document the essence of alternative cities of style for their ‘What’s Next' campaign. Hamid's work is inspired by Dada, Abstract Expressionism, Pop art, and Surrealism and is central to Conceptual art. She has an eye for exceptional color coordination and social nuances. Her work includes digital collages, reductive drawings, prints,
photographs, and clothing. Hamid lives and works in Oakland. Catch @seema
on Instagram, and find what she fancies on her blog, igotmyownstyle. More About BOOBS By examining
subjects such as equality and visual communication Hamid interprets allegories and stereotypes that juxtapose and divide societal thinking. Hamid’s work can yo-yo toward a serious and sensitive perspective while harmoniously keeping one’s humorous side entertained. Her intuitive layers are added to each other until the given understanding of subject matter is obliterated. Hamid’s oeuvre confronts personal challenges of our era with witty, sensual and visually appealing images. Provocation can bring deep seeded issues to our attention and the movement of Hamid’s work is one to respect. She has managed to seamlessly coordinate her visuals to move the audience’s eye between heated taboos with creativity and bring focus to issues of major concern. She pushes us not only to look at society at large but also to challenge why we see what we see. When you leave
GALLERIE TERROIR, you will also leave behind many of your previous conceptions.
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