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Storming Final Edits by K.M. Weiland

Get Ready for Storming's Release This December!"

I’m not a big fan of deadlines. Not because I can’t or don’t meet them; I almost always finish projects far ahead of deadline. I just don’t like the mental pressure of knowing that a deadline—however far it may be in the future—is bearing down on me. So I always give myself plenty of time on deadlines whenever possible.

That’s why I decided to give myself a publication date for my historical aviation novel Storming of December, instead of October as originally planned. But even with those two extra months, I find myself getting closer to crunch time.

I just realized that *gasp* it’s already September! My unofficial finish-major-edits deadline is already upon me, which means I need to get cracking! If you see a blur of ink and papers on the horizon for the next month, that’s probably me!

Happy writing!

 
 

Featured Story: The Saddle Daddy Rode

For as long as Lail McGurney can remember, her father has managed his ranch and lived his life with a stalwart faith in a God he believed would never abandon them. Now, as Lail watches leukemia eat away her father’s life, she must discover a faith of her own and the strength to say goodbye. A short story (2,000 words).

 
 
 
 
 

“It takes writing a billion bad words before you get to the good ones.”

―Ray Bradbury

 
 
 
 
 

Drawing Winners

Twice a month, I randomly draw four names from among e-letter subscribers.

The winners receive their choice of digital media from among my books​​.

This month's winners are CrystalSheila CoveyJoana Santos, and Chris Moujaes.

I will contact the winners directly. Congrats to all―and good luck to everyone else in the coming drawings!

 

Things to Ponder

What is the major goal you're working toward in your writing right now?

 

What was the last thing you learned about another writer's process that encouraged you?

 

You Know You Are a Writer When . . .

...sometimes you relate better to fictional characters than your real-life friends.

 

...you admire your characters' bravery.

 
 
 

July Article Roundup

Most Common Writing Mistakes, Pt. 43: Too Many Exclamation Points!

Did You Know “Show vs. Tell” Matters in Foreshadowing Too?

New Posting Schedule–and Other Wordplayer News

4 Methods to Invigorate Your Prose With Surprising Sentences

Need a Professional Book Cover? My Recommendation Is Damonza

Learn How NOT to Waste Your Story Setting’s Full Potential

New Story Ideas Distracting You From Your Book? Find Out What You Should Do

How to Make Readers Happy by Giving Them Exactly What They DON’T Want

Protagonist and Main Character— Same Person? The Answer May Transform Your Story!

The Pixar Way to Think About Story Conflict

How to Write a Sequel That’s BETTER Than the First Book

 
 

Your Questions Answered: First-Person Narrator

Q. I have a few questions that I’ve not quite found an answer to, and I would be very grateful for any help you may have on it.

1) I’m writing my first novel and am debating how much the main character (also the narrator) should use action beats when in dialogue with others. More specifically, I have placed an action beat in nearly every dialogue the main character has with others, and I worry this makes my main character seem omnipotent, which is not what he is (he’s just an average Joe). So (in general) how often should I use action beats to refer to what others are doing when in dialogue with the main character?

2) I heard that my book has a feel of 3rd-person in parts when I intended it to be 1st-person. So naturally, I want to increase the 1st-person narrator feel of the book, and am wondering if changing what I describe in my previous question will help accomplish that.

3) You mention several times about info dumps, and I also wonder if some of my main character’s internal struggle may feel to the reader like it’s from a narrator rather than the main character talking to himself.

A. In regards to your first two questions, I have a couple posts you might find useful: “How Not to Use Speaker Tags and Action Beats” and “Is Your First-Person Narrator Overpowering Your Story?".

But to sum up, action beats are there only to clarify the dialogue, the characters’ physical actions while talking, and the narrator’s reaction to the dialogue. You don’t want to avoid beats to the point that you end up with “talking head” or “white wall syndrome,” but, generally, less is more. You want your dialogue to be able to stand on its own.

The second question is hard to answer without seeing the specifics of what people are finding problematic. But the key thing to remember about writing a first-person narrative is to let that character’s unique voice come through in every line you write. Same goes for the info dumps. Don’t just tell readers the info, let the narrator share the information in a way that reflects his voice and offers insight into his personality. Here’s another post on that subject: “The #1 Factor to Consider When Choosing POV Characters.”

Contact Me

Have a writing question you’d like answered? I respond to all emails and will publish one question a month in this e-letter.

Email Me

 
 
 
 
 

“The music lets me see the story but the story doesnt let me write the words.”

―Elizabeth J. Kolodziej