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Biennale of Sydney

Countdown: just 4 weeks until #20BOS

The countdown has begun with just four weeks until the opening of the 20th Biennale of Sydney: The future is already here – it’s just not evenly distributed. In addition to taking over Sydney's major art galleries and creative hubs such as the Art Gallery of New South Wales, Museum of Contemporary Art Australia and Carriageworks, the 20th Biennale appears in a number of public spaces and unexpected venues across the inner-city, inner-west and in-between. Read on to find out more.

Tickets to opening week events are selling fast, don't miss out:

20th Biennale Keynote AddressBoris Charmatz
Sat, 19 March 
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20th Biennale Opening Night 
Fri, 18 March 
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Justene Williams with Sydney Chamber Opera
Victory Over the Sun
Fri, 18 – Sun, 20 March 
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A focus on the in-between

Camperdown Cemetery / Redfern Community Centre / Redfern Wall / 130 Abercrombie Street / 86 George Street / Royal Botanic Garden Sydney / MCA Forecourt

A focus on in-between spaces is key on both the conceptual and physical levels in the 20th Biennale. Many artists attempt to access the ‘in-between’ – the place where the virtual and the physical fold into one another. Perhaps one could call this indistinct area ‘the space between utopia and heterotopia’ – that space which Michel Foucault sees represented in the mirror*.

Many of their works examine our interactions with the digital world, our displacement from and occupation of spaces and land, and the interconnections between politics and economic power structures. Other projects investigate spaces within the city that represent thresholds, or folds, and others reflect on the idea of ownership; they take over a piece of land for a limited time, occupy it, take care of it and then disappear. 

Discover art in unusual locations across Sydney during the 20th Biennale.

In-between projects

Camperdown Cemetery, Newtown 
Bo Christian Larsson’s Fade Away, Fade Away, Fade Away, 2016, will unfold throughout the course of the Biennale. 

130 Abercrombie Street, Chippendale
Oscar Murillo’s meandering – black wall, 2016, occupies a void space between two buildings.

Redfern Community Centre 
We Built This City, 2016,  a makeshift architecture presented by Keg de Souza.

Redfern Wall
Corner Vine Street and Eveleigh Street, Redfern 
What Remains, 2016, a new installation by Daniel Boyd features more than 12000 mirrors.

86 George Street, Redfern
Brown Council’s new work, Making History, 2016, reimagines past acts and events in the here-and-now. 

Bennelong Lawn, Royal Botanic Garden Sydney 
Archie Moore’s work,  A Home Away From Home (Bennelong/Vera’s Hut), 2016, references the history of Woollarawarre Bennelong (c.1764—1813), a member of the Wangal clan.

Agatha Gothe-Snape with Brooke Stamp and invited collaborators, Here, an Echo, 2015–16. For location details visit: 20bos.com

MCA Forecourt 
Richard Bell presents, Embassy, 2013–ongoing.
15–19 March
13–15 May

The Fernery, Royal Botanic Garden Sydney
Dane Mitchell presents Remedy for Agoraphobia (AgNO3), 2016, testing the potential effects of homeopathic remedies on plants.

BIENNALE OPENING NIGHT | FRIDAY, 18 MARCH 

Taro Shinoda, 'Ginga', 2010

Tickets are selling fast! Don't miss out on this one-off opportunity to explore the art after dark, with a soundtrack provided by local DJs and live acts: Nite Fleit, Retiree, Moon Holiday and LOW TON [LIVE]: Victoria Kim, Baby Face Thrilla and Cache One

Food and beverages will be available to purchase, with some of Sydney’s best food trucks on hand. Limited tickets are available.

Friday, 18 March, 7.3011.30 pm

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 BE A FRIEND OF THE BIENNALE

Arunanondchai Korakrit, 'Painting with history in a room filled with people with funny names 3', 2015 (video still), HD video, 25 mins. Courtesty of the artist, CLEARING New York/Brussels and Carlos/Ishikawa, London.

If you're thinking of purchasing a ticket to Biennale Opening Night, why not become a Friend of the Biennale to receive a number of additional benefits including a Biennale catalogue, guide and tote bag!

You'll also receive VIP treatment and gain exclusive behind-the-scenes access to the 20th Biennale.

MORE INFO 

 CALL FOR PARTICIPANTS: Sydney

20th Biennale and Critical Path are recruiting people aged 18+ to perform in Nicola Conibere’s ASSEMBLY as part of this year’s Biennale. ASSEMBLY will be presented in the Drill Hall, Rushcutter’s Bay, on the afternoons of 13 April 2016.

ASSEMBLY is a live artwork of several hours to which spectators will come and go. We are looking for participants to perform the work.

Who are we looking for?

o   People who are interested in dance, contemporary performance and visual arts, who may or may not be arts practitioners
o    People who are enthusiastic, reliable and who have a wish to perform
o    People in the Sydney area 
o    People with stamina, and possibly some movement experience
o    People who can commit to rehearsals & performances at the following days & times: Saturday 19,  Sunday 20, Saturday 26, Sunday 27 March (afternoons), Thursday, 31 March (evening) and Friday 1Sunday 3 April (afternoons) 

If you are interested please email the team at Critical Path to receive an information pack, or visit criticalpath.org.au**

BIENNALE REGIONAL PREVIEW TOUR (NSW)

There are only two more stops on the Regional Preview Tour: join our Public Program and Education team as they introduce the ideas and artists in the 20th Biennale at locations outside of greater Sydney: 

Saturday, 20 February, 11 am: Western Plains Cultural Centre, Dubbo (public talk)
Saturday, 27 February, 11 am: Blue Mountains Cultural Centre (talks featuring 20th Biennale artist Charwei Tsai)

MORE INFO

 

FROM OUR PARTNERS: ARTASIAPACIFIC

We are delighted to partner with ArtAsiaPacific for the 20th Biennale of Sydney.

Don’t miss the March/April issue of ArtAsiaPacific where, in addition to a preview of the forthcoming Biennale of Sydney, artists Dane Mitchell and Richard Bell, both who will take part in The future is already here — it’s just not evenly distributed, pen two thoughtful commentaries.

In this issue, ArtAsiaPacific also takes a close look at artists with backgrounds in painting, who cut loose and created their own methodologies that straddle multiple disciplines, thereby challenging categorisation, including painting itself.    

Subscribe to ArtAsiaPacific