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Carlo Zinelli1916 – 1974 Image: Carlo Zinelli, courtesy of Collection de l’Art Brut, Lausanne. |
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Above: Carlo Zinelli, Untitled, 1964, Collection de l’Art Brut, Lausanne, photo by Claude Bornand. His early paintings feature rows of almost identical human figures silhouetted against a plain background, perhaps evoking his experience of the hospital exercise yard. He also added other forms to his paintings, including boats, birds and beasts, cramming the picture space with motifs of diminishing size according to the gaps remaining. In the 1960s he began using a new technique, laying down areas of wash and adding images of figures, often in sets of four. In his later works he also added words and letters to his increasingly complex compositions. The closure of the hospital, and Zinelli’s transfer to another institution, led to the virtual cessation of his painting. Below: Carlo Zinelli, Untitled, 1964, Collection de L'Art Brut, Lausanne. |
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