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			                                      Composer portrait: Victoria Borisova-Ollas
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	The Konserthuset in Stockholm honours Victoria Borisova-Ollas 
from 18 – 21 April with the “Tonsättarweekend”, a portrait series that covers the composer’s chamber musical and orchestral works. The composer portrait culminates in the world première of Creation of the Hymn. 
	Creation of the Hymn (2013) 
	for string orchestra | 15’ 
	world prem. 21/4/2013, Stockholm;  Musica Vitae, cond. Michael Bartosch 
	Further performances (selection) 
	Angelus (2008) 
	for orchestra | 20’ 
	3 3 3 3 - 4 3 3 1 - timp, perc(3), hp, pno, org/synth, str 
	18/4/2013, Stockholm; Kungliga Filharmonikerna, cond. Nikolai Alexeev 
	Open Ground (2006) 
	for orchestra | 10’ 
	3 3 3 3 - 4 3 3 1 - timp, perc(3), hp, pno, str 
	19/4/2013, Stockholm; Kungliga Filharmonikerna, cond. Nikolai Alexeev 
	Wunderbare Leiden (2010) 
	for two pianos and orchestra | 20’ 
	3 3 4 4 - 4 3 3 1 - timp, perc(3), hp, cel, str 
	19/4/2013, Stockholm; Ivetta Irkha, pno; Vardan Mamikonian, pno; Kungliga Filharmonikerna, cond. Nikolai Alexeev 
	View the full programme of the portrait on our homepage. 
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		                                      Prologue (Silver are the tears of the moon) in Glasgow
		                                     
		                                    
		                                    
		                                      
	After the successful performance of David Fennessy’s Caruso (Gold is the sweat of the sun), 
the world première of Prologue (Silver are the tears of the moon), the first part of a trilogy that is based on the diaries of the German film director Werner Herzog, will now take place on 11 May in Glasgow under Ilan Volkov. 
	“I wanted this piece to have all the grandeur and over-the-top emotions of a romantic opera overture, and as I began to compose, that wish became more and more literally realised with snatches of Rigoletto writhing in the undegrowth accompanied high above by the “melancholy peeping” of tree-frogs.” (David Fennessy) 
	Prologue (Silver are the tears of the moon) (2013) 
	for orchestra | 10’ 
	3 3 3 3 - 4 2 3 1 - Table Guitar, timp, perc(3), pno, str(12 10 8 8 6), frog guiros 
	world prem. 11/5/2013, Glasgow; BBC Scottish SO, cond. Ilan Volkov 
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		                                      Further world premières
		                                     
		                                    
		                                      
	Vykintas Baltakas: Saxordionphonics (2013) 
	for saxophon, accordion and chamber orchestra | 15’ 
	2 2 3 2 - 2 1 1 0 - perc, str 
	world prem. 28/4/2013, Witten; Marcus Weiss, sax; Teodoro Anzellotti, acc 
	WDR SO Köln, cond. Emilio Pomàrico 
	Georg Friedrich Haas: Introduktion und Transsonation (2012) 
	for 17 instruments and tape | 17’ 
	1 0 2 0 - 2 1 2 0, t.sax(Bb), vln(2), vla(2), vc(2), cb(2) 
	world prem. 1/5/2013, Cologne; Klangforum Wien, cond. Sian Edwards 
	Wolfgang Rihm: Stille Feste (2012) 
	for choir and orchestra | 40’ 
	2 2 2 2 - 2 2 2 0 - timp, perc, str 
	world prem. 27/4/2013, Stuttgart; Gächinger Kantorei Stuttgart, Internationale Bachakademie Stuttgart, cond. Helmuth Rilling 
	Gustav Mahler: Piano Quartet (1876/2011) 
	for orchestra | 13’ 
	4 3 4 3 - 4 3 3 1 - timp, perc, hp, cel, str 
	Arranger: Marlijn Helder 
	world prem. 10/5/2013, Rotterdam; Rotterdams Philharmonisch Orkest, Dir. James Gaffigan 
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