Welcome to Issue #49
of FloridaCajunZydeco.com Update!
for February 2017
This newsletter showcases dance events from the FloridaCajunZydeco.com
website and publishes articles not on the website pages. Sorry to say, we lost our twice-monthly dance venue in Largo. The closing of Island Vibes took us all by surprise, and more than a few looked forward to each dance at this location so central in Pinellas County. We're looking for a new venue. Let Sharon know if you have a location in mind. "Free rent" in exchange for bringing in a group of customers once or twice a month is what we're looking for, and even better if it's an established dance venue with a nice floor. Dikki Du and the Zydeco Krewe
returns to Ace's Live on February 17. I have found some information on the web about additional shows in Florida which I have not verified. If I learn of additional shows in Florida, they will be posted to the FloridaCajunZydeco.com calendar. CrawDebauchery tickets are available, so make your plans to be in Pompano Beach on April 1 and 2. Dance For Plants returns to Gulfport Casino on Friday, March 10 with DJ -- yours truly. I will play a wide variety of dance music to satisfy everyone's taste, especially if you like music from Louisiana. The feature story
this month is on Barry Ancelet and Sam Broussard's album, Broken Promised Land, which has been nominated for a GRAMMY. Whether the project wins the award or not, check the album out on iTunes: https://itunes.apple.com/us/album/broken-promised-land/id1136895208 If you haven't visited FloridaCajunZydeco.com
website, please do so. It has a new fluid width format which fills your browser window with content for easy reading regardless of whether you are viewing it on a desktop computer, tablet or mobile phone. We're on Facebook in Groups (Florida Cajun Zydeco Dancers) and with our own Facebook Page (Florida Cajun Zydeco). Check us out and "Like" us to see the posts and reminders throughout the week. This is a good way to get your Cajun and zydeco fix between newsletters. FloridaCajunZydeco.com
loves to travel — in your pocket on your smart phone. Check the website for dance information wherever your travels take you. Regards, Jim Hance
Publisher, FloridaCajunZydeco.com
Fri. Feb. 17 --- Dikki Du & Zydeco Krewe at
Ace's Live (Bradenton)
8:00 p.m. at Ace's Live, 4343 Palma Sola Blvd., Bradenton, FL 34209. Phone 941-795-3886. Website: http://aceslivemusic.com Dikki Du
(Troy Carrier) was born in 1969 in Church Point, Louisiana and discovered his love for zydeco music at the tender age of nine. Troy’s brother Chubby Carrier started a family band and offered Troy a job playing the drums. Troy toured with his brother from the late '80s until the '90s when he returned home to pick up the accordion. It has now been nineteen years that Dikki Du and the Zydeco Krewe have been on the scene. Dikki Du has incorporated his musical heritage and created one of the most innovative zydeco groups around. His original funky and hypnotic zydeco style announces that he has arrived, occupying a spot on par with the best.” Come out and support this venue again, and dance to a great zydeco band. Website: http://aceslivemusic.com
Fri. Mar. 10 --- Dance for Plants (Gulfport)
7:00 p.m. to 11:00 p.m. at Gulfport Casino,
5500 Shore Blvd S, Gulfport, FL 33707 We had a packed house last year with 200 dancers at Dance for Plants, and we expect the same this year. Swing and Zydeco Dance benefits Gulfport Community Garden. DJ music by Jim Hance -- like last year, mix of swing, zydeco, blues, groove, ballroom, hustle, funk, Latin, jazz and pop. There will be a good representation of Louisiana music, from Boozoo Chavis to Harry Connick Jr. Zydeco dance lesson 7 p.m. to 8 p.m. Tickets $10 in advance, $15 at the door. If you like Cajun and zydeco dancing, swing at all tempos, nightclub two-step, hustle, salsa, shag, Lindy, waltz, Latin, ballroom…it's all here and it's all DIFFERENT! Information: gulfportcommunitygarden@gmail.com, and website gulfportcommunitygarden.org.
Porchdogs in Florida
Fri. Feb. 3, 2017 --- Fridays on the Plaza (Winter Garden)
7 p.m. to 9 p.m., Fridays on the Plaza , In the Gazebo, W. Plant Street, downtown Winter Garden, FL, Phone: (407) 656-4155. Free; bring a lawn chair!
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Tues. Feb. 7, 2017 --- Porchdogs at The Villages (Orlando Area)
4 p.m. to 9 p.m. Porchdogs at Lake Sumter Landing Market Square, 1000 Lake Sumter Landing, The Villages, FL 32162.
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Fri. Feb. 24, 2017 --- Porchdogs at Women's Club (New Smyrna Beach)
6 p.m. to 10 p.m. 403 Magnolia St., New Smyrna Beach, FL. Ticket info: (386) 314-6192. Edgewater Rotary Club's Mardi Gras party to benefit local food bank.
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Sun. Feb. 26, 2017 --- Porchdogs at Shrimpfest (Fellsmere, FL)
Noon to 2 p.m. Porchdogs at ShrimpFest & Craft Brew Hullabaloo, Old Schoolhouse, 22 S. Orange St., Fellsmere, FL. Ticket info: (772) 321-3916. Enjoy special shrimp plates & dozens of beers from S. Fla. breweries and home brewers. Benefits local youth sports & organizations. Entertainment all day.
Just for Fun.Imagine Clifton Chenier, Boozoo Chavis, Buckwheat Zydeco and Count Rockin' Sidney Simien at the poker table. Boozoo takes the hand, and produced the first zydeco recording with "Paper in My Shoe," but I have a feeling Sidney has a card up his sleeve with "My Toot Toot."
"I'm told that Wagner's music is not as bad as it sounds." — Mark Twain "I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down'." — Bob Newhart "You're talking to someone who really understands rock music." — Tipper Gore
Easy Street Bayou Back from Louisiana
Feb. 4, 11, 18, 25 --- 7:00-9:00 p.m. Easy Street Bayou at Zydeco Grille, 8501 Placida Road, Englewood, FL. Website: http://www.zydecogrille.com Wed. Feb. 8 --- 6:00-7:00 p.m. Easy Street Bayou Elsie Quirk Library (Englewood) Thu. Feb. 16 --- 2:00-3:00 p.m. Venice Library Concerts @ Venice FL Community Ctr. Tues. Feb. 28 --- 6:00-10:00 p.m. Easy Street Bayou at Zydeco Grille, 8501 Placida Road, Englewood, FL. Website:
http://www.zydecogrille.com
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Follow the band at: http://easystreetduo.blogspot.com
Sat. Mar. 18: Moonshine Holler Brings American Southern Roots Music to Free Concert at the St. Petersburg Library
2 p.m. at St. Petersburg Main Library, 3745 9th Ave N, St. Petersburg, FL 33713. “The Roots and Branches of Appalachian Music” featuring Moonshine Holler, the husband and wife duet of Paula Bradley and Bill Dillof. As they discuss the music and its origins, their performance captures the essence of traditional American roots music from Carter Family classics to hillbilly blues, ballads and breakdowns, with knock-your-socks-off flatfoot dancing to boot. They feature instruments including banjo, fiddle, Hawaiian guitar, harmonica, ukulele and kazoo and provide strong spirited vocals. Moonshine Holler breathes new life into old-time American music, delighting audiences wherever they play. This is a program the whole family will enjoy. Bring the children. Presented by Friends of the Main Library (like
us on Facebook). Video: https://www.youtube.com/watch?v=mjPPXJyIc3o
New Music from Corey Ledet Bends Musical Genres
By Karen Leipziger CPL Records proudly announces the release of Grammy-nominated zydeco innovator, singer/songwriter/accordion player Corey Ledet and His Zydeco Band's Standing on Faith (his ninth album) on March 3, 2017. Standing on Faith
was co-produced by Cecil Green and Jesse Delgizzi and recorded at the Green Room in Ville Platte, LA. Joining Ledet (accordions/drums/vocal/washboard) in the studio were Delgizzi (guitar/bass/Moog/vocals) and Green (keyboards). Ledet injects pop, funk, rhythm and blues and reggae on Standing on Faith. In doing so, he continues to work from the genre-splicing template set by such zydeco pioneers as Clifton Chenier and Stanley “Buckwheat” Dural. Standing on Faith
covers several genres with an upbeat zydeco-pop instrumental, a breezy R&B ballad, a jaunty reggae and a contemporary R&B tune. “I don’t like to stick with something that’s easy, or just the way it’s supposed to be,” Ledet says. “I like to explore and experiment. That makes music fun. It’s like cooking. When you’re cooking a recipe, you say, let me try this with that, let me see if this works.” During most of his 14 years as a band leader, Ledet based his repertoire on the foundation set by Clifton Chenier and other zydeco pioneers. But now he’s moving beyond the zydeco classics. “I can do that all night long,” Ledet says. “But I can do other things as well. Traditional zydeco, nontraditional, pop. I can go any which way I want. This is my way of
creating a sound that fits me.” Ledet is well versed in traditional zydeco. “I did all the studying and research I could do,” he says. ‘It took a long time. There’s a lot to learn about zydeco and Creole music. But it’s important to know your background before you learn anything else. After I finished studying all of that, I learned other stuff that interested me. Pop music, classical music. I even listened to Frank Sinatra. People laughed at me, but I listened to anything that’s got notes.” On the bandstand, Ledet mixes songs originally recorded by pop and country artists into his show: Bruno Mars, Prince, Michael Jackson, Jason Aldean, Darius Rucker, and Bob Marley. Again, Chenier served as a model. “He mixed the old French music with
rhythm and blues,” Ledet says. ”Ray Charles and Etta James and Louis Jordan were of Clifton’s time. That worked for him. I’m applying Cliff’s recipe to modern-day times, my way.” At 35, Ledet brings 25 years of bandstand experience to the stage. He turned pro at 10, playing drums in his native Houston for Wilbert Thibodeaux and the Zydeco Rascals. Ledet came naturally to the drums, his first instrument. His late grandfather, Buchanan ‘Tbu’ Ledet, worked as drummer for Clifton Chenier. Although Ledet’s grandfather died in 1978, three years before his birth, the grandson idolizes his grandfather. Chenier’s longtime drummer, Robert Peter, followed the drumming example Ledet’s grandfather set in 1940s and ’50s. “Cliff wanted a drummer who played like my
grandfather,” Ledet says. “When you hear Robert, that’s my grandfather’s style.” For Ledet, working with Thibodeaux and the Zydeco Rascals was like going to zydeco school. The lessons included such essential subjects as keeping the beat and, something less definable, reading audiences. “And whenever other drummers came in the venue, Wilbert called them up to the drums and let me play accordion,” Ledet remembers. During his decade with Thibodeaux, Ledet organized some gigs on the side for himself as a front man. He officially launched his own band in 2003, after moving to his father’s hometown, Parks, Louisiana. Many people ask Ledet why he left the big city of Houston for the small town of Parks. Ledet already knew Parks well. When he was
growing up in Houston, his family visited Parks during summers and for holidays and special occasions. “It was hard to leave to go back to Houston,” he remembers. “I like the city, but I like the country better. Some kind of spiritual connection.” On those family drives from Houston to Parks, the family tuned to a zydeco radio as soon as they got close enough to receive the signal. Once they reached Parks, the zydeco music never stopped. “I like all music,” Ledet says. “But zydeco is the first pick for music for me.” Ledet paid his dues after he launched his career as a band leader from Parks. “I had to build everything from nothing. Make my name, make my rounds, prove myself,” he says. “Playing to chairs and tables, paying my band members 10 bucks or five bucks for the
night. For a long time, I didn’t make anything.” Ledet persevered, building his music career from the muddy southwest Louisiana ground up. Highlights include his 2013 GRAMMY nomination for “Nothin’ But the Best,” a collaboration with fellow zydeco musicians Anthony Dopsie, Dwayne Dopsie and André Thierry. “Oh, man, when that happened, I was like, ‘Is this for real?’ Because never in a million years did I think I’d be sitting in the same row at GRAMMYs with Taylor Swift. To come from ground zero to that lets me know I’m doing something right. I’m kicking up my game by making records like Standing on Faith.
I want to go even further and do bigger and better things.” Corey Ledet keeps one foot firmly in the zydeco tradition while exploring other influences. He is able to infuse old and new styles of zydeco to form his own unique sound. Standing on Faith presents the best view yet of the GRAMMY-nominated Ledet’s expansive talent.
BeauSoleil Performs in Three Florida Towns This Month
Fri. Feb. 17, 2017 ---BeauSoleil avec Michael Doucet (Bonita Springs, FL)
8 p.m. Center for Performing Arts - Hinman Auditorium
Tickets: $45 Premium Seats, $40 Center Seats, $35 Side Seats
Join us as BeauSoleil avec Micheal Doucet take the rich Cajun traditions of Louisiana and artfully blend zydeco, New Orleans Jazz, Tex-Mex, country, blues, swamp pop and more into an authentically satisfying musical recipe.
Website: http://www.artcenterbonita.org
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Sat. Feb. 18, 2017 ---Beausoleil at Palladium (St. Petersburg, FL) 8 p.m. The Palladium's Hough Hall, 253 Fifth Ave., St. Petersburg, FL. Tickets (listed as $29.50 and $39.50) on sale at www.mypalladium.org. Phone 727-893-7832. Note: this is in the theater, not the lounge.
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Sun. Feb. 19, 2017 ---Beausoleil at The Original Cafe Eleven (St. Augustine, FL)
8:30 p.m. The Original Cafe Eleven, 501 A1A Beach Blvd., St. Augustine, FL 32080. Website: www.originalcafe11.com
Tickets and accommodations now available for Florida's Cajun-Zydeco festival April 1 and April 2
Facebook: https://www.facebook.com/crawdebaucherymusicfestival/
Website:
http://crawdebauchery.com Tickets are now on sale on the festival website for $25 per day or $45 for both days (prices are $40 per day at the gate). If you're traveling from out of town, get your tickets included in your hotel reservation by making your reservation through the festival website. There are only two hotels participating and quantity of rooms is limited. Reservation for two nights includes two free two-day general admission tickets. The New Orleans band The Revivalists will be the featured act at the fourth annual South Florida Crawfish
Festival, presented by CrawDebauchery, April 1-2, 2017 at the Pompano Beach Amphitheater Field. The stop in South Florida will be part of the band’s recently announced “Still Feeling Good from Yesterday” 2017 tour which kicks off in Fort Collins, Colo. on February 1. The band will be touring in support of its most recent album Men Amongst Mountains, which produced the single “Wish I Knew You.” The song reached number one on Billboard.com’s Adult Alternative chart and has remained on the chart for 26 weeks during 2016. “We’re very fortunate to be able to book this terrific band,” said festival organizer Don Matthews. “They are extremely popular. In fact, in March, Rolling Stone Magazine
named them as one of the ‘10 Bands You Need to Know.’” For your Cajun and zydeco dancing pleasure, the festival lineup includes Chubby Carrier and The Bayou Swamp Band, Roddie Romero and the Hub City All Stars, The Revelers, and Dwayne Dopsie and the Zydeco Hellraisers. The festival provides a tented wood dance floor where the music can be danced to from two stages. The festival poster (shown above) was created by blues artist Stan Street. Check out Stan's music, art and gallery at http://stanstreet.com.
Barry Ancelet and
Sam Broussard
in GRAMMY Spotlight
Tune in Sunday, Feb. 12 for the results.The 2017 GRAMMY Awards will be broadcast live on Sunday, Feb. 12 from 8 p.m. to 11:30 p.m. (ET). Host for the event will be James Corden. The 2017 awards includes music produced in the past year that has been nominated and judged by the Recording Academy, an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Likely award winners are Adele, Beyoncé, Justin Bieber, Sia, Keith Urban, Brandy Clark, etc. With over 50 categories and five
artists in each category, the category for Best Regional Roots Music Album may not make it to the prime time broadcast. Nominees in this category include Broken Promised Land by Barry Jean Ancelet & Sam Broussard, It's A Cree Thing by Northern Cree, E Walea by Kalani Pe’a, Gulfstream
by Roddie Romero And The Hub City All-Stars, and I Wanna Sing Right: Rediscovering Lomax In The Evangeline Country
produced by Joel Savoy of the famed Cajun family band and owner of Valcour Records. Not Typical GRAMMY FareBarry Ancelet and Sam Broussard have been friends since Lucille Mouton’s first-grade class at Mt. Carmel School. Six decades later, Ancelet, the retired professor, and Broussard, a musician’s musician, pass the time in a home studio, making Cajun music that’s not the usual dancehall two-steps and waltzes. The old friends start to wonder what will become of their creations of French poems put to music. “We were just gathering stuff without a whole lot of real intent,” said Ancelet, famed Cajun
folklorist, author and songwriter. “One day, Sam says, ‘What are we doing to do with this?' He said, ‘I don’t know.’ “We got 10 songs, so why don’t we release them?" Ancelet said. "We could do it ourselves, but I don’t want to be in the record business. I don’t want to be a jobber, going around to racks. So let’s talk it around.” The talk has resulted in
Broken Promised Land. It may not seem like your typical GRAMMY fare, but Barry Jean Ancelet and Sam Broussard’s prolific collaborative album Broken Promised Land is a top contender in the Regional Roots category. The stunning collection relates Creole history, tradition and culture through hypnotic French poetry and sprawling multi-instrumental compositions. “This is something we wanted to do for ourselves,” said lyricist Ancelet. “Musically, it’s what happens when you remove all constraints from Sam Broussard. The stuff he came up with blew my mind.”
Barry Ancelet is the retired department head at the University of Louisiana at Lafayette's department of modern language, a Cajun folklorist, former director of UL’s Francophone studies, musician, author, poet, and weekly emcee at the Liberty Center’s “Rendez-vous des Cajuns.” He has written French language poems and lyrics under the pseudonym Jean Arceneaux. A few have been recorded including “Late in Life” (Cajun French Music Association song of the year in 1992 with Wayne Toups) and the electrifying “Menteur” recorded by Steve Riley and the Mamou Playboys, also credited to Sam Broussard. According to Offbeat magazine’s reviewer Dan Willging, Broken Promised Land
by Barry Ancelet and Sam Broussard “is a brilliant showcase of Ancelet’s thought-provoking poetry and Broussard’s genius arrangements. Only three tracks feature guest musicians. Broussard played everything else: acoustic, electric and lap steel guitars, fiddles, bass, harmonicas, flutes, saxes and programmed percussion all recorded in his home studio.” Broken Promised Land
consists entirely of Ancelet’s poems set to music. “Sam and I worked on this project for our own enjoyment, in his own studio,” Ancelet recalls, “so we had the luxury of unlimited time to experiment with ideas. Sam came up with most of the tunes and basic arrangements, but we talked constantly about what to do with each song. . . . We were both interested in representing our varied backgrounds that include the blues, rock, country, Cajun, zydeco, jazz and pop . . . our ’60s roots.” Broussard similarly cites ’60s music as influencing his production sensibilities: “What that era gave to me was a higher proportion of pop songs that had great lyrics and melodies, chord changes that were interesting just on their own, and brilliant instrumentation.” Broussard also “took two
semesters of theory and composition a long time ago. Learning Bach four-part writing was life-changing. And,” he concludes, “I have to give a bow to our engineer, Tony Daigle” for his contributions to this technically complex project.
Dark ThemesIn an interview with Ben Sandmel, Ancelet says, “I sometimes focus on dark themes. I push myself into an improvised nightmare and then write out of that.” Ancelet’s lyrics (English translations of which appear in the liner notes) are at times disquieting, as on “Conte de fait”:
All the children escaped
When the devil left open
The door of the cage that he had made
To capture and tame them long ago
The devil chases them
And finds them all, except for the tricky one
Who had hidden in the cage.
To avoid the rage, the rage of the devil,
The devil fooled. “But there are other issues on this album, including a condemnation of the manipulated violence in the world, a questioning of the trappings of organized religion, and an exploration of the tension between French-based and English-based identities, tradition-based and modern-based identities.” He also points to other influences that shape the album: “There’s a song written in the voice of Amédé Ardoin, and a celebration of the Creole storyteller Ben Guiné, from
Promised Land, a rural area on Bayou Teche near Parks in St. Martin Parish.” These themes are additionally reflected in the surreal cover art by the gifted Lafayette painter Olin “Leroy” Evans. Sam Broussard came up with the idea of laying the poetic work of his childhood friend Ancelet (aka 'Jean Arceneaux') over melodic instrumentals. Broussard is known for his use of alt-tunings and slide work, a 45-year music veteran performed with the likes of Ramblin’ Jack Elliot, Sonny Terry & Brownie McGee, Dave Van Ronk, Michael Martin Murphey, Nicolette Larson, and Jimmy Buffett before releasing his award-winning solo effort Geeks in 2000. He currently plays with the acclaimed Cajun band Steve Riley and the Mamou Playboys.
Interestingly, for being an account of Amédé Ardoin towards the end of his life, “Une Dernière Chanson” is a surprising steel guitar and fiddle–fueled country two-stepper. The despairing loneliness of “Appuyé Dessus la Barre” is folk-centric and haunting, yet replete with a beautiful, sunny solo. As Ancelet’s poems vary in subject, Broussard counters with creative arrangements to suit whatever’s on hand, whether it’s a protest rocker (“Trop de Pas”), a wall-rattling bluesy howl (“Le Loup”), or a densely layered, poignant ballad (“Personne Pour Me Recevoir”). While Ancelet and Broussard alternate vocals and occasionally harmonize, Anna Laura Edmiston blows the doors off with her enchanting
performance of “Coeur Cassé.” To break up the vocal content, Broussard tosses in a quasi-orchestral instrumental—“Pour Qui?”—that’s simultaneously jazzy and cinematic. A rare recording that gets deeper with each and every listen. A full-time musician, Broussard said the writing music for the poetry wasn’t a stretch for him. “It can be similar because sometimes I just write words and then put music to it later,” said Broussard. “That’s one of processes I use and, of course, that’s the one I used exclusively for this project.”
The "A Team"This dynamic duo was joined by Danny Devillier, David Greely, Gina Forsythe, and Christine Balfa. “A-Team all the way, baby,” Ancelet said. One of the songs, “Couer casse,” is about the narrator leaving town on a train with a broken heart who “didn’t care where he was going,” said Ancelet. Stuck on a bridge between love and the truth, the narrator leans down to take a drink from the water “and all the narrator can see is the cause of his broken heart and it’s his own reflection in the water.” Broussard
considered the lyrics “brutal,” Ancelet said, then his friend, as only he could, added, “the only thing that would be worse: what if a girl sang those words?” Luckily, Anna Laura Edmiston, a former member of Feufollet, was in town visiting her family. “She got the lyrics. We gave her a track. She came in the next night and just (Ancelet clapped his hands with a pop) and, I mean, just killed it,” said Ancelet. And thus Edmiston became just the third singer on the release behind Ancelet and Broussard. “That’s incredible vocal, isn’t it?” Broussard said. Speaking of vocals, yes, Ancelet can sing, too. “I wouldn’t describe myself as a singer by any stretch because I’ve known real singers,” said Ancelet.
“Like Belton Richard, D.L. Menard, and Dewey Balfa. But I’ve learned so much about the craft of singing in the studio with Sam,” said Ancelet. “It was like going to school. I felt like I owed him tuition.” While you may not find Cajun music per se on the release, it’s there, according to Broussard. “The sensibility is, the song viewpoints — the man who has lost the woman he loves and maybe it was his own fault,” said Broussard. “Barry’s lyrics are an extension of existing Cajun lyrics up to now.” Dominic Cross, writing for The Advertiser, summarized the album nominated for a GRAMMY: Broken Promised Land
is a damn good outing by the duo. Listening to it is like watching a foreign film without subtitles; you may not understand the words, but if you pay attention, you’ll still get it.
Outside Florida
Atlanta Cajun Zydeco AssociationFeb. 4, 2017 --- Dennis Stroughmatt & Creole Stomp
Benson Center, 6500 Vernon Woods Drive, Sandy Springs, GA 30328; Phone: 404-613-4900. Free beginners dance lesson 7-8 p.m. Free intermediate dance lesson 6:15 p.m. to 7 p.m. Dance to live music 8 p.m. to 11 p.m. ACZA will be hosting the following bands over the next several months:
Saturday, Mar. 4 --- Jeffery Broussard & the Creole Cowboys Atlanta Cajun Zydeco Association website: http://aczadance.org/
Houston/Texas Cajun-Zydeco Eventshttp://www.zydecoevents.com/texaszydecoevents.html Southern California Eventshttp://www.icajunzydeco.com
If you missed last month's newsletter...Discover all of the Update! newsletters and feature stories on Cajun and zydeco artists on the "Stories" page at floridacajunzydeco.com/stories.html
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