Nick Waterhouse Returns with New Album Never Twice Out September 30 on Innovative Leisure,

Shares Debut Single "It's Time"

"Swoony vocals that recall jazz singers like Cab Calloway and Jack Jones, Waterhouse has been hailed as the second coming of soul, infusing a distinctly California surf-rock spin to the genre." - VOGUE

"Waterhouse straddles the line between rock grit and smooth, sultry R&B. It's sexy, it's smart, and it's definitely worth another round in a bar in the middle of a dark and stormy night. - Esquire

California rhythm and blues revivalist Nick Waterhouse is marked to return with his third full-length studio album, Never Twice, out September 30 on Innovative Leisure via Inertia Music. Premiering on Consequence of Sound, the first track off of the album, “It’s Time” is a cool and elegant post-modern cocktail of 50’s R&B and club jazz, mixed with 1960's soul and boogaloo, and shaken with a minimal contemporary sensibility.

Listen to “It’s Time” here

“Sometimes a person gets tired of waiting. They wonder when life is going to pay back, if at all, and they burn matches or cigarettes and watch the minutes tip toe by,” Waterhouse tells Consequence of Sound of “It’s Time”. “They think they’re almost there and then someone says, ‘well, i guess this is goodnight.’ I used to see movies where the character would throw cards in a hat. I’ve never been the stare-at-the-wall type.”

With Never Twice, Nick Waterhouse returns to his original collaborator, producer Michael McHugh (Black Lips, Ty Segall, Allah-Las). McHugh was a local legend in the oft-underrated Orange County music scene that Nick grew up in. McHugh was the first person to ever put Nick on tape and in an effort to re-capture the vibrancy of the Huntington Beach scene of Nick's youth, he invited McHugh up to his current home of San Francisco to work the boards once again.

Once he had McHugh on board, Nick began cold-calling his favourite players, all of whom miraculously said yes. Jazz musician Bob Kenmotsu contributed flute, Tom Waits and Elvis Costello collaborator Ralph Carney on sax, Dr. Lonnie Smith protege Will Blades on Organ and a virtual whose who of muso legends on horns, bass and guitar. The result is an exuberant and impeccably recorded album of songs, showcasing Waterhouse's prowess as a musician and a band-leader.

'Never Twice' is out September 30 on Innovative Leisure via Inertia Music

For all media enquiries contact yingdi@inertia-music.com

More About Nick Waterhouse
By Jonathan Toubin

Many moons ago Primo Pitino, the DJ of San Francisco's legendary Oldies Night, passed me a copy of his friend Nick Waterhouse's "Some Place." Nick was a local vinyl DJ and the kid working at our Shangri-la, Rooky Ricardo's Records. Though he didn't have a band at the time, Waterhouse assembled some local musicians to cut a one-off 45 in the vein of the electrifying mid-century modern rhythm and blues he loved. I threw "Some Place" on the Technics during sound check a few cities down the line and was blown away from the howling falsetto all the way to the end! I gave it a whirl every night from Texas to Tennessee and all the way back home to New York. Not only were the dancers' feet responding, but they were also asking about the track on a nightly basis. The Nashville Scene was so blown away that they printed a piece on Nick after that single listen. DJs and collectors everywhere wanted it so bad that the little record with the big sound started fetching upwards of $300 on Ebay.

The immediate and unprecedented underground dance party success of Nick's DIY record resulted in a full band, gigs, and, after a number of obstacles, the widely acclaimed 2012 LP Time's All Gone. Nick's music, vision, and fully formed aesthetic caught on globally and he was instantly a fixture at nearly every major nightclub and festival on both sides of the Atlantic, Australia, Japan, and Russia -hitting stages everywhere from Primavera to Montreux Jazz Festival and charting on college, public, and commercial radio.

Only a year after self-releasing his first single, Nick Waterhouse was thrust into the chaos of leading a band, touring, and recording in the big leagues! Pummelling high speed down a bumpy hill of line-up changes, economic problems, and general chaos without any breaks, Nick made it through and the challenges made him more focused. 2014's Holly captured a more experienced artist upping the ante in writing, performance, recording, and production, inspiring a new level of critical and commercial success.

In addition to a jam-packed five years on the road, in the studio, and in the practice space, Waterhouse also produced septuagenarian soul legend Ural Thomas, Los Angeles Latin stars The Boogaloo Assassins, and garage rockers The Allah-las. He's currently collaborating with the likes of young Grammy-nominee Leon Bridges and Steven Colbert bandleader Jon Batiste. The Rolling Stones blast Nick's version of "I Can Only Give You Everything" at stadiums before they go onstage. Vogue hired him to pose with Kendall Jenner. He hipped her to “Little Willie John” while Anna Wintour complimented his shoes. While a lesser artist would get lost in these distractions, Nick Waterhouse's acclaim only seems to energize him and make him work harder and push his music to the next level.

Nick's latest Never Twice is a culmination, intensification, and realization of everything he's been developing throughout this prolific frenzy. Catchier and loaded with more hits than its predecessors, Nick's new LP is at the same time harder hitting, more rhythmic, more harmonic, more diverse, and more adventurous than any of the excellent work that already separated him from the pack. In five short years Nick Waterhouse has come a long way and it looks like he may have just painted his masterpiece.