Editor's note

Namibia is set to hold a national land conference next month to discuss its racially skewed inequality in land ownership. This was inherited from its colonial and apartheid past and persists almost 30 years after independence. Luregn Lenggenhager and Romie Vonkie Nghitevelekwa write that most Namibians are unhappy with the pace and method of land reform that’s been used in the past three decades.

Gerard Sekoto is one of South Africa’s most revered artists. Yet, his work consistently – and significantly so, given his pedigree in the country’s art history – under-performs in relation to the likes of compatriot Irma Stern. Rory Bester argues that in many ways her prominence in the South African art market represents the resilience of apartheid era tastes and preferences, which at the time largely overlooked the quality of black artists.

Thabo Leshilo

Politics + Society Editor

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Land reform discussions in Namibia don’t address capital or profits. shutterstock

Why Namibians want fresh impetus behind land reform

Luregn Lenggenhager, University of Basel; Romie Vonkie Nghitevelekwa, University of Namibia

Shortcomings of Namibia's land reforms suggest that voluntary, market-based transactions might not be suitable.

Arts + Culture

Mandela My Life is a welcome tribute to a hero, but avoids difficult questions

Andrea Witcomb, Deakin University

The desire to eulogise, as often appears to be the case in this exhibition, does not allow space for questions that might allow for a fuller explication of the nature of Mandela’s legacy and its relevance beyond South Africa.

Gerard Sekoto: apartheid era tastes are still borne out at art auctions

Rory Bester, University of the Witwatersrand

South Africa's government reneged on opportunities to cement artist Gerard Sekoto's legacy.

Health + Medicine

Business + Economy

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