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Editor's note
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Over the past few years arts coverage in newspapers and magazines has been shrinking. Staff cuts have hit arts journalism hard, with expert writers and critics disappearing in alarming numbers. Yet considered criticism is vital to the health of many art forms. An informed critic can explain and contextualise a work, contributing to its appreciation and to our wider cultural conversations.
At The Conversation, we are working to help fill this gap. Our national team of specialist arts critics have decades of experience in their fields – visual art, theatre, film, music, to name just a few – and are given the space and freedom to write at length.
Our focus is on new Australian work in particular. We believe our nation’s cultural offerings deserve serious attention, for the insight, provocation, originality, energy and sheer pleasure they can bring. As theatre historian Julian Meyrick, one of our regular commentators, has put it, arts criticism is “an identifier and definer of national identity”.
Today, Sasha Grishin offers a nuanced review of a major exhibition of Ben Quilty’s work at the Art Gallery of South Australia. Quilty, at 45, is a passionate, prolific artist, known for his engagement with issues such as the plight of refugees, the impact of war and the death penalty. His works are exuberant and urgent, writes Grishin, but there is a sameness to these “huge slabs of oil paint”.
Another of our regular writers, Joanna Mendelssohn, is a former winner of the prestigious Pascall Prize for Australian “critic of the year”. In this superb essay, she considers the fate of artist Nora Heysen, the first woman to win the Archibald Prize, who continued to be overshadowed by her more famous father throughout her lifetime.
Australia’s creative minds are tackling some of the nation’s most pressing moral questions. Our coverage of the Perth Festival recently wrapped up with Stephen Chinna’s review of Speechless, a new opera by composer Cat Hope that is a response to the Australian Human Rights Commission’s 2014 report into children in immigration detention. And as The Adelaide Festival continues, Julian Meyrick will review Manus, a piece of agit-prop theatre in
which interviews with Iranian asylum seekers in limbo on Manus and Nauru are relayed verbatim by a cast of actors. On a different note, look out this week for our reviews of Arbus & West, a new play from Australian playwright Stephen Sewell, and Two Feet, a work by acclaimed Australian dancer and
choreographer Meryl Tankard.
At a time of widespread disillusion, our artists continue to surprise and delight us – and ask the hard questions. We hope you enjoy reading about their work, and that our critical engagement enhances the relevance and urgency of their art.
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Suzy Freeman-Greene
Section Editor: Arts + Culture
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Top story
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Installation view: Quilty featuring Pancreatitis (Kenny), The Last Supper (Bottom Feeder) and Farewell virginity by Ben Quilty, Art Gallery of South Australia, Adelaide, 2019.
Photo: Grant Handcock.
Sasha Grishin, Australian National University
Ben Quilty is the next big thing in Australian art. Will he be allowed - and will he allow himself - to explore and find his true potential as an artist?
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The journalist in the XY case covered traumatic cases such as that of Arthur Freeman, who threw his daughter Darcey off West Gate Bridge.
Joe Castro/AAP
Matthew Ricketson, Deakin University; Alexandra Wake, RMIT University
In a landmark ruling by a Victorian court, a former Age journalist has successfully sued for damages after consistently covering traumatic cases in her job.
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Politics + Society
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Michelle Grattan, University of Canberra
He is not, however, being accompanied by Home Affairs
Minister Peter Dutton, who leads much of the campaigning on the issue.
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Nick Haslam, University of Melbourne; Melanie J. McGrath, University of Melbourne; Melissa A. Wheeler, University of Melbourne
An analysis of billions of words in the Google Books database shows the way society has valued moral principles such as compassion, respect for authority, community values and fairness over time.
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Health + Medicine
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Rae Thomas, Bond University; Clare Heal, James Cook University; Julia Lowe, University of Newcastle
Sarah and Donna are 26 weeks pregnant and have the same blood sugar levels. But while Donna is diagnosed with gestational diabetes, Sarah is spared from the label. It comes down to where she lives.
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David Farmer, Florey Institute of Neuroscience and Mental Health
An adult brain weighs about 1.5kg. It's mostly water with some fat, protein, sugar and a dash of salt. Sounds like pancakes, I know, but I once tried chicken brains and, well, pancakes are tastier.
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Cities
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Carolyn Whitzman, University of Melbourne; Jason Thompson, University of Melbourne; Rewa Marathe, University of Melbourne
As they return to classes, a survey finds nearly half of female tertiary students in Melbourne don't feel safe using public transport at night. And 79% have been sexually harassed or victimised.
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Science + Technology
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Mike Johnstone, Edith Cowan University
Do you receive a code via SMS message, email or voice call to sign into your bank account? This security method is no longer considered very secure.
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Sabine Braat, University of Melbourne; Karen Lamb, Murdoch Children's Research Institute
It's hard to decide which treatment to choose when trying to quit smoking or lose weight. The term 'number needed to treat' could help you decide what is most likely to work.
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Bronwyn Orr, University of Sydney
Raw meat dog food products are growing in popularity. But a new study warns of the risks of bacterial contamination not only to your pet but also to yourself or others in your house.
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Environment + Energy
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Fan Zhang, Griffith University; Peter Hancock, University of Central Florida; Richard de Dear, University of Sydney
Workplaces the world over tune their thermostats to 22C, because this supposedly optimises mental performance. But the factors that underpin a productive office are much more complicated.
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John Woinarski, Charles Darwin University; Sarah Legge, Australian National University; Stephen Garnett, Charles Darwin University
Australia is losing mammals faster than any other country, as well as plenty more plants and animals besides. Extinction is theft from future generations – it's time to treat it as such.
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Business + Economy
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Pat Ranald, University of Sydney
No commitments on environmental standards, but foreign corporations will shore up their rights to sue the Australian and Indonesian governments.
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Alison Pavlovich, Massey University
The heated debate about New Zealand's proposed introduction of a capital gains tax overlooks the fact it would bring tax cuts for most New Zealanders.
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Warren Staples, RMIT University; Andrew Linden, RMIT University
The ASX was late to the corporate governance party and its fourth reheat remains as flawed as ever.
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Arts + Culture
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William Peterson, Flinders University
Acclaimed dance choreographer Meryl Tankard's show Two Feet premiered in 1988. Now it returns to the Adelaide Festival, recreated for one of today's most brilliant dancers.
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