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All-Stars Tour Dates; Productions of new and recent works by Julia Wolfe, David Lang, Michael, Gordon, and others; Long Play Festival; and more! No images? Click here Bang on a Can Announces 25/26 Season All-Stars concerts, performances around with world with Michael Gordon, David Lang, Julia Wolfe, looking forward to Long Play - and more!
The All-Stars and Gyan Riley celebrating Terry Riley at The Ford LA, earlier this month! “Bang on a Can has grown over the decades into one of the contemporary music world’s primary centers of gravity — though gravity might not be the right word. Evident and animate throughout the group’s own musical output, as well as its commissioning initiatives, residency programs, and not one but two annual festivals is an abiding belief in the creation of music as “a utopian act.” - The Washington Post, Michael Andor Brodeur, Aug 5, 2024 After a summer of nearly 100 concerts bookended by Long Play in Brooklyn, and LOUD Weekend at MASS MoCA, Bang on a Can announces a power-packed 25/26 season, with festivals, concerts, and touring productions across the globe including:
Taken together, it’s an inspiring journey through the music of NOW, offered with Bang on a Can’s characteristic joy and celebration of community and collaboration. Photo: Stephanie Berger Bang on a Can 2025-2026 Sunday, September 7, 2025 7:30pm - past Wednesday-Saturday, September 17-20, 2025, 8:30pm Friday, October 3, 2025, 7:30pm Thursday, November 13, 2025 at 7:30pm Sunday, November 16 and 18, 2025 at 7:30pm Friday, December 12, 2025 at 8:15pm Sunday, December 14, 2025 4-6pm Thursday, December 18, 2025, 8:15pm Thursday-Saturday, Jan 15-17, 2026 at 7:30pm Friday, January 23, 2026 at 7:30pm Friday, January 30, 2026 at 7:30pm Friday, February 27, 2026, 8pm Sunday, March 1, 2026 at 2pm Thursday-Sunday, March 19-22, 2026, 7:30pm Thursday, March 26, 2026, 7:30pm Saturday, March 28, 2026, 7:30pm Friday, April 17, 2026 Friday - Sunday, May 1-3, 2026 Wednesday, May 6, 2026, 8pm Thursday, May 7, 2026, 8:15pm Friday, May 8, 2026, 8:00pm Saturday, May 9, 2026 at 8pm Sunday, May 10, 2026 at 4pm Saturday, May 16, 2026, 7:30pm Sunday, May 17, 2026, 8:00pm Thursday - Saturday, July 30 - August 1, 2026 (All dates subject to change) Long Play Festival
Hailed by The New York Times as “ the most important classical music festival in New York City,” Long Play features 50+ concerts over 3 days in 10+ venues throughout downtown Brooklyn. Celebrating its fifth year in 2026, Long Play has become a sought-after performance opportunity for 200+ performers - and a treasured destination for thousands of music fans from throughout New York City and the world. Scheduled for May 1-3, 2026, further details regarding featured performers and passes will be announced in December! LOUD Weekend at MASS MoCA
Bang on a Can’s multi-day music festival LOUD Weekend at MASS MoCA is a fully loaded, three-day, eclectic super-mix of creative, experimental and unusual music that takes place each summer in the bucolic Berkshire mountains of western Massachusetts. Bang on a Can All-Stars play Ryuichi Sakamoto: 1996
Photo: Doug Mason Ryuichi Sakamoto “was arguably the best-known and most successful Japanese musician in the world.” (Peter Tasker, Nikkei Asia) Sakamoto’s film scores are renowned for their diversity and sensitivity, it is rare for a band to play this music live, and now the Bang on a Can All-Stars realize their own new live arrangements of the album 1996 (arranged by the All-Stars’ multi-talented clarinetist-composer Ken Thomson) — which includes an incredible selection of many of Sakamoto’s greatest hits – music from films including The Last Emperor, Wuthering Heights, The Sheltering Sky, Merry Christmas Mr. Lawrence, and more. The Bang on a Can All-Stars play Ryuichi Sakamoto: 1996 is an exploration, a tribute, a celebration. David Lang's before and after nature
Photo: Helsinki Festival David Lang's before and after nature, written for the electrifying Bang on a Can All-Stars and choir, looks at different ways to define and understand nature - now that it has been forever changed by human behavior. With spectacular and arresting video and lighting by Tal Rosner, before and after nature is a meditation on the natural world, from the moment we became aware of it to the moment we are gone. “before and after nature is a substantial artistic feat, one of deep emotional impact, dealing with some of our core existential questions and inviting the audience to carry on the process long after its final sounds and images have become cherished memories.” -Adventures in Music Michael Gordon and Richard Foreman's What to wear
Photo courtesy of Cal Arts Center for New Performance Now, in its New York debut as part of Next Wave 2025 and Prototype Festival, Michael Gordon's What to wear is remounted for the first time in 20 years, returned to its original Richard Foreman staging by Big Dance Theater co-founders Annie-B Parson and Paul Lazar. Audiences have a unique opportunity to see an original Richard Foreman production brought carefully back to life. In Foreman and Gordon’s pageant of seductiveness gone wrong, beauty gives way to something more transcendent—and our contemporary world of fast fashion and influencer culture renders their acerbic critiques still cutting and relevant as ever. A collaboration between BAM, Beth Morrison Projects, Prototype, and Bang on a Can, this historic re-staging honors Foreman's trailblazing legacy, and confirms Gordon’s ceaseless musical vitality. Julia Wolfe's Fire in my mouth
Photo: Chris Lee Fire in my mouth continues Julia Wolfe’s musical investigations into American labor history with a libretto that explores the world of the women who worked in New York City’s garment industry in the early 20th century and a focus on the tragic 1911 Triangle Shirtwaist Factory fire and its aftermath. On March 25, 1911, fire consumed the factory and 146 workers perished, most of them were young immigrant women. A visually stunning large-scale work for orchestra and women’s chorus directed by Anne Kauffman with scenic, lighting, and video design by Jeff Sugg, Fire in my mouth follows the story of these women who rose up to demand a more human existence, who persevered and endured challenging conditions, women who led the fight for reform in the workplace. Commissioned by the New York Philharmonic, this piece is dedicated to their memory. Julia Wolfe’s unEarth
Photo: Chris Lee Written for full orchestra, men’s chorus, and children’s chorus, Julia Wolfe's unEarth is a large-scale work that addresses the climate crisis. Written in three movements, the work is realized with spatial staging and scenic design projected on a large circular screen. It combines ancient stories, languages from around the world, the poetry of Emily Dickinson, climate science and words of protest to create a moving, and urgent plea to engage the listener in the climate emergency. Wolfe writes: “While art can not solve the crisis, my hope is that this poetic plea engages the listener in this urgent conversation." Bang on a Can All-Stars celebrate Terry Riley’s 90th Birthday
Terry Riley is a trailblazer of minimalism, influencing generations of composers and musicians. The Bang on a Can All-Stars celebrate Terry Riley's 90th birthday with two genre-defining works: A Rainbow in Curved Air (arr. Gyan Riley) blending the essence of Terry Riley’s visionary sound with fresh interpretations, and Riley’s masterpiece In C, brought to life by an all-star cast of musicians - an evening of mesmerizing rhythms and timeless melodies. "Riley...conjures music that is bright, playful, celebratory, and communal" - The Wire Julia Wolfe's Anthracite Fields
Photo: Richard Termine In her work Anthracite Fields – a Pulitzer Prize-winning oratorio for chorus and the Bang on a Can All-Stars – composer Julia Wolfe draws on oral histories, interviews, speeches, geographic descriptions, children’s rhymes, and coal advertisements to create a work that gives an intimate look at a particular slice of American life. Wolfe says, “My aim with Anthracite Fields is to honor the people who persevered and endured in the Pennsylvania Anthracite coal region during a time when the industry fueled the nation, and to reveal a bit about who we are as American workers.” "This is a major, profound work.” – Mark Swed, Los Angeles Times. David Lang’s the wealth of nations (world premiere)
Photo: Maarit Kytöharju / Helsinki Festival Inspired by economist Adam Smith’s 1776 magnum opus, David Lang dramatizes this foundational work about economics as inspired by Handel’s treatment of Biblical texts in Messiah. "I want this work to be enjoyable and thought-provoking," says Lang, "encouraging audiences to consider what we truly value." The world premiere of the wealth of nations is March 19-22, 2026, performed by the NY Philharmonic and Music Director Designate, Gustavo Dudamel! Julia Wolfe’s Her Story
Photo: Kurt Heinecke Julia Wolfe’s Her Story is a 40-minute oratorio for 10 women’s voices — with stage direction by Anne Kauffman and scenic design by Jeff Sugg. Her Story invokes the words of historical figures and the spirit of pivotal moments to pay tribute to the centuries of ongoing struggle for equal rights and representation for women in America. The piece incorporates text that reflects the history of women’s fight for equality, ranging from a letter written by Abigail Adams to words attributed to Sojourner Truth, from public attacks directed at women protesting for the right to vote, to political satire. Her Story is part of a series of compositions by Wolfe that highlight monumental and turbulent moments in American history and culture, and the people—both real and imagined, celebrated and forgotten—that defined them.
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