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In a career that spans a lifespan, Bruce Davidson has used his camera to explore the world. From his iconic work “Gangs of Brooklyn” to “E.100th St.”, his work stands out for its intimacy with its subjects and long lasting impact.
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Culture historian and art critic, Maurice Berger, uses his monthly column in the New York Times to explore racial literacy through visual literacy. He uses the power of photography and the written word to urge his readers to think about their own racial attitudes and to reflect the works of photographers of color, whose voices are often not seen by the mainstream art world.
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Alexandra Bell draws on her journalism background to examine how words and images expose the media’s racial biases. In her signature work, Counternarratives, she re-imagines stories from the New York Times to create more equitable framings.
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Tired of being quiet about a problem that has long persisted in journalism, Daniella Zalcman sought to address the hiring gap between white men and women, and people of color. The result is Women Photograph.
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Natalie Keyssar has spent years documenting the consequences of unrest and economic turbulence in Venezuela in the aftermath of Hugo Chavez’s death. In her work, she explores the impacts of the violence on individuals and on society at large, demonstrating the effectiveness of the camera as a window to the world.
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For decades, Samuel Fosso has used self-portraiture to question political and social norms in Africa and America. In his latest series, Black Pope, Fosso challenges the Catholic veneration of whiteness in contemporary visual culture.
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In her latest work, Museum Bhavan, Dayanita Singh seeks to put the power of curation into the hands of the reader, to make the work accessible to a broader demographic. The result of her work is an object that is personal, interactive and portable, and one she hopes will encourage other photographers to recognize the importance of dissemination.
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Drawn to photography in her quest for social justice, Amber Bracken, started working in the indigenous communities of her hometown, Alberta, Canada, to learn about their struggle for land rights. When she heard of protests in Standing Rock, she chose the camera as her weapon of choice to document a struggle for sovereignty.
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MediaStorm provides intensive, master class educational experiences through our One Day, Methodology and Traveling Workshops. We are offering the following upcoming courses:
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Whether you’re an established photographer looking to transition to multimedia storytelling or a student wanting to expand your storytelling skills, MediaStorm’s online training provides a practical overview that will further your multimedia storytelling skills.
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Called an "essential book" for multimedia storytellers on iTunes, the MediaStorm Field Guide to Powerful Multimedia Storytelling is now available in 50 countries.
Featuring interactive guides, photo galleries and videos from the MediaStorm Online Training series, the new iBook is the most comprehensive field guide we’ve produced to date.
Available for iPad | $9.99
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We believe that quality storytelling can change the way you see the world. That’s why we help the world’s finest filmmakers and photographers tell stories that matter with the depth they deserve. These stories make up the MediaStorm Publication – a destination for long-form video journalism and cutting-edge film.
“Sub to the pub” with an annual subscription that gives you full-access to all the stories in our Publication, for just $23.95.
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To be the first to know about new MediaStorm projects sign up for the MediaStorm newsletter. You can also follow us on Twitter, Facebook, and Google+.
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