|
Three questions with...
2024 Fellow Casey Gerald
|
|
Your Fellows project is the forthcoming book, The Great Refusal, which will explore the power of individual and collective refusal to help us find our way to better lives and a better world. How did you decide you wanted to explore this topic in a book?
|
I’d been trying to live the topic for nearly a decade.
I’d achieved, by my late 20s, about everything a kid is “supposed” to achieve in this society, but I was cracked up. Many of my friends felt cracked up. This was 2016, so the world was cracked up too. So I turned to writing less as a career than as a lifeline, to trace those cracks with words.
I came to believe the world and way of life my generation inherited had reached a dead end. We had no choice but to refuse it, to reimagine our lives on the American landscape, as Sonia Sanchez put it.
Simone Biles’ withdrawal from the Tokyo Olympics became a tipping point. Partly because I saw her stunning act as evidence of an ever-growing great refusal. But also because my dear sister-friend, Sarah Lewis, the brilliant cultural historian, texted me: “The Great Refusal is a book.”
|
|
You wrote about Simone Biles dropping out of the Tokyo Olympics as part of a trend of public figures making great refusals. Your book will draw on different contemporary and historical figures who have also refused. How did you choose which people to write about? Was there a certain criteria for inclusion?
|
One of the first people who messaged me after the Biles op-ed was a scholar of medieval religion, George Piero Ferzoco. He wondered if I knew anything about Pope Celestine V—I absolutely did not. Turns out “the great refusal” first appeared almost a thousand years ago in Dante’s Inferno. “I looked and saw him who, through cowardice, made the great refusal.” It had always been assumed that Dante was referring to Pope Celestine, the first pope to quit the papacy, who indirectly led to Dante’s exile.
Needless to say I had not planned to be writing about a 13th century pope. But as I learned of stories like Pope Celestine’s, I realized that I was unearthing tradition. This kept happening, like when a friend and wonderful writer, Cassady Rosenblum, passed along news of the Chinese phenomenon of “Lying Flat,” where “young people…have set off a nascent counterculture movement that involves lying down and doing as little as possible.”
I want the reader to feel as much of a thrill as I did when these refusal figures—some of which are not even people, or real—came into my life. So at any moment we can meet a pope, a New Orleans chef who disappeared, Hushpuppy from the movie Beasts of the Southern Wild, a Japanese mushroom or California palm tree, ghost particles in a quantum physics lab, metaphorical ghosts of Hong Kong documentary cinema. My method falls somewhere between a scavenger hunt and a revelation.
|
|
Do you have any advice for someone who is considering their own great refusal?
|
Just take one small step. I think the archive, and stories like Celestine’s, point not to an act of refusal, but a practice of refusal that we can build over time. Little, low-stakes no’s that prepare us for the great one. We see traces of the elder pontiff in the seventeen-year-old Peter who joined the Benedictine monks. We see traces in his early withdrawals further into the wilderness. We especially see traces in his refusals to “stick with people who wanted to be with him,” as Professor Ferzoco explained.
Maybe we don’t have to think about “refusal” at all. At the time of Biles’ withdrawal, I argued that her brave decision was clear evidence of a great refusal. But the reality is that, sometimes, the defiant I won’t is more a defeated I can’t. Sometimes the task is simply to give up. Let go. Not great refusal but great surrender.
|
|
|
We asked the Fellows to share their favorite piece of summer media.
1: 90's hip hop and R&B! Nothing says summer like the soundtrack to cookouts!
—Theodore Johnson, Class of 2016
2: The original Bad News Bears movie. It's the summer of my youth and now my children''s youth—playing baseball on hot, dry fields in an inland Southern California valley. —Joe Mathews, Class of 2008
3: Dr. Dick's Dub Shack is an internet radio station headquartered in Bermuda, and it's long provided the soundtrack to my summer barbecues, backyard hangouts, and firefly-catching sessions with the kiddos. Few other music sources can match its combination of throbbing bass and chill vibes. —Brendan I. Koerner, Class of 2021
4. Not to be too on the nose, but Vivaldi's "Summer" is pretty great.
—Olivia Goldhill, Class of 2024
5. I love to find a completely unserious, page turning novel. Nothing says summer to me like a "beach read" that I can tear through in a day! —Laura Mauldin, Class of 2024
|
|
|
"What Will Become of American Civilization?" by George Packer in The Atlantic is an epic, beautifully written and crafted story that should be required reading for all students of narrative nonfiction
—Janet Reitman,
Class of 2022
Learn More
Spanning 50 years of community life, Lee's photography is a moving testament to the will of ordinary people to fashion their own history.
—Ellen D. Wu,
Class of 2022
Learn More
For those who have never placed a paddle in the Mississippi River, as I have, reading The Great River is the closest thing to traveling the Great River itself.
—W. Ralph Eubanks,
Class of 2007
Learn More
|
|
|
Xinyan Yu’s documentary, Made in Ethiopia, was awarded a Special Jury Mention for a Documentary Feature at the 2024 Tribeca Film Festival.
Abrahm Lustgarten was interviewed on WNYC's the Brian Lehrer Show about his book, On the Move.
Caitlin Dickerson wrote about the Netflix documentary America's Sweethearts: Dallas Cowboys Cheerleaders for the Atlantic.
Victor J. Blue wrote and photographed a story for New Lines Magazine about children in a Syrian refugee camp.
Malaika Jabaili wrote about the history of Juneteenth for Essence.
|
|
|
Fill out the form below for a chance to win a copy of On the Move by Abrahm Lustgarten, Class of 2022.
Please submit by Monday, July 15th to be considered.
Enter here!
|
|
|
|