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October 2023

Three questions with...
2022 Fellow Azam Ahmed

Your Fellow’s Project, Fear Is Just a Word: A Missing Daughter, a Violent Cartel, and a Mother's Quest for Vengeance, began as an article for the New York Times. Why did you decide to expand this story into a book?

For most of my time in Mexico, I wrote about violence and corruption as though they were facts of life, an assumed part of life for the more than 120 million people that required no context or explanation. And they are, to some extent. But I always struggled with how Mexico came to be so broken, the sort of place where horrific murders and brazen acts of corruption just came with the territory. The kind of place where a mother can be killed for the act of seeking justice for her disappeared daughter.

Miriam’s story was a way to offer readers an intimate look at the social cost of the drug war. But it also felt compelling enough to sustain an exploration of how things got to be so bad in Mexico, which required a dive into the nation’s historical archives. In the end the hope was to take this story and use it to explain what had happened to Mexico in the last several decades, and how an empowered criminal class had come to dominate the nation.

The power and corruption wielded by the cartels and government in Mexico creates a backdrop of intense fear in the narrative. How did you approach writing about this fear and violence while also protecting the people whose stories you told?

When I speak with politicians or businessmen, almost anyone with means and power, the assumption is on the record. When I am speaking with traumatized populations, victims of violence or people who don’t really understand the media or how it works, I take the opposite approach. That means that literally dozens of people I spoke to were too afraid to share their stories publicly. But I was fortunate in that Miriam’s family, and her friends, wanted their stories told. They wanted those moments recorded, and their names along with them. Without that, the book would have been impossible to write.

You reported for nearly three years from Afghanistan covering the conflict there. Do you see any parallels in your reporting from Afghanistan and Mexico?

I didn’t go to Mexico looking for parallels, and the societies and contexts are so fundamentally different. There are in broad strokes similarities—for instance the endemic corruption that affects everyone, the acts of violence that terrorize populations, the problematic, and fundamental, role of the United States in both nations. But Mexico is a conflict born of economic opportunity, whereas the war in Afghanistan was about religion and ideology. I suppose any similarity in my reporting would say more about me than those nations, or their conflicts.

Hot Off The Press

Some People Need Killing: A Memoir of Murder in My Country

A fearless, powerfully written on-the-ground account of a nation careening into violent autocracy from a journalist of international renown.

By: Patricia Evangelista, Class of 2020

Learn More

Our Secret Society: Mollie Moon and the Glamour, Money, and Power Behind the Civil Rights Movement

An engrossing social history of the unsinkable Mollie Moon, the stylish founder of the National Urban League Guild and fundraiser extraordinaire.

By: Tanisha C. Ford, Class of 2023

Learn More

Two Cents

We asked Fellows to share their favorite stage in the creative process.

1: My instinct to say brainstorming—I often find dreaming of possibilities the most exciting. But I am in the murky middle of a project with a much longer horizon than what I am used to, and finding it so satisfying.
— Jenny Medina, Class of 2023

2: I love the feeling of, when reporting on the road, rushing back to my hotel room to write down as much sensory detail as I can while it’s still fresh. What did the place look like, smell like, sound like? What did the air feel like on my skin. How do I describe the sound of a particular person’s voice or the wrinkles on their forehead? I love spending time trying to capture those details while they are still with me.
— Clint Smith, Class of 2020

3: Printing off the first real draft of a piece of writing. I love to work on the page with a pen and see the entire piece in front of me. Matthew Davis, Class of 2017

Newsworthy

Azam Ahmed's new book, Fear is Just a Word, was reviewed in the New York Times.

Lisa M. Hamilton's new book, The Hungry Season, was reviewed in the New York Times. Hamilton also wrote an opinion piece in the New York Times about rice harvesting which also featured her photography. 

Rachel Aviv's book, Strangers to Ourselves, was listed as a #11 New York Times paperback bestseller for the week of October 15th.

Zeke Faux appeared on the What's Next: TBD podcast from Slate to discuss his book, Number Go Up. Faux was also interviewed on Marketplace, All Things Consideredand the Indicator podcast to discuss Sam Bankman-Fried, cypto, and NFTs. 

Tanisha C. Ford's book, Our Secret Society, was included on the list "October 2023 Reads for the Rest of Us" in Ms. Magazine. 

Patricia Evangelista's book, Some People Need Killing, was included on the list "The best books by East and South-East Asian writers" in Harper's Bazaar UK. 

New America Events

The top New America events we recommend you check out. Now.

  

OCT 18TH

Some People Need Killing

Join the Fellows and Future Security Programs for a conversation between Patricia Evangelista, Class of 2020, and Philip Bennett, Class of 2023, about Some People Need KillingLearn more

OCT 31ST

Our Secret Society

Join the Fellows Program for a conversation between Tanisha C. Ford, Class of 2023, and Marcia Chatelain, Class of 2017, about Our Secret Society. Learn more

Recommend this month

I'm re-reading this masterpiece after more than a decade—a book about folly, fate, community. It's a rare book that is able to both entertain and offer piercing truths about one's self and the world.
— Rozina Ali,
Class of 2024

Learn More

A lyrical and engrossing memoir; the kind of book that makes for a perfect afternoon of reading.
— Olivia Goldhill,
Class of 2024

Learn More

My new project is about the highs and lows of living multi-generationally and this book has, in part, laid out how and why low-income families are squeezed out of the places they feel safest.
— Sian-Pierre Regis,
Class of 2024

Learn More

Free Swag

Fill out the form below for a chance to win a copy of Number Go Up by Zeke Faux, Class of 2023. 

Please submit by Monday, October 16th to be considered.

Get swag!

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