In this newsletter: about incoming KuFC director, exciting news from BMUFA, SUCH, reports on events, and more Kule things! No images? Click here ![]() Directors Message![]() Dr. Larisa Sembaliuk Cheladyn New Beginnings: A Year in ReviewCelebrating Change and Community in Folklore Studies Spring is a time of renewal—a chance to reflect on what we’ve accomplished and to look forward with hope to the seeds of growth we plant for the future. At the Kule Folklore Centre, we embrace this theme as we explore how folklore evolves through our everyday expressions—oral, written, performative, and material. Folklore tells our stories, and as those stories change, whether subtly or dramatically, so too must our research and understanding. This year, change was at the heart of many of our initiatives. We examined how Christmas and Easter traditions have shifted over time, revisited social dance practices of the past to compare them with today’s staged performances, and explored the growing influence of AI, digital folklore, and virtual communities. On a global scale, we collaborated on projects that celebrate the creative voices of Ukrainian-Canadian communities, encompassing a range of fields, including hockey, fashion design, art, and architecture. Yet, not all changes have been easy. I believe that teaching and inspiring curiosity are fundamental to academic leadership. They cultivate cultural understanding and tolerance, and serve as the indispensable context that makes language learning meaningful and community growth possible. Unfortunately, our core Ukrainian folklore courses, which once covered six different topics per year, have now been reduced to just one per semester. It is a difficult adjustment as we navigate shifting administrative priorities and financial challenges within the Faculty of Arts and the Department of Modern Languages and Cultural Studies. This reflects a reality that our founder, Dr. Bohdan Medwidsky, and generous supporters like Peter and Doris Kule could hardly have imagined when they established the Centre and engaged two full-time professors to teach Ukrainian ethnography. Highlights of the Year Despite these challenges, the past academic year was marked by productive research, exciting events, and community engagement. Here are some of our highlights:
Advancements in Archival Activities At the Bohdan Medwidsky Ukrainian Folklore Archives, we saw incredible growth and engagement this year. Online access to our digital files surpassed expectations, and in-person visits more than doubled—a clear sign of our community’s interest in preserving and studying folklore. Generous contributions of photographs, documents, and other materials enriched our collections, and we remain deeply grateful to those who supported our efforts to scan, organize, and describe these invaluable resources. Sustaining Ukrainian Canadian Heritage The Sustainable Ukrainian Canadian Heritage (SUCH) Network had a banner year, adding over a dozen independent resources to its website and forming a meaningful partnership with the Ukrainian Women’s Association of Canada (UWAC). Together, we’ve worked closely on uploading their monthly publication, Promin, preparing their archive for transfer to Library and Archives Canada, and preserving an invaluable collection of letters from soldiers following World War II. We continue to champion the stories and traditions that shape our shared heritage. Looking Ahead As we reflect on the past year, we are reminded of the resilience and creativity that our community has demonstrated. Though challenges persist, the Kule Folklore Centre remains committed to celebrating the voices, stories, and expressions that make our heritage so rich and diverse. Thank you to everyone—students, scholars, families, and supporters—who walked this journey with us. Together, we’re shaping the future of Ukrainian folklore studies and ensuring our shared stories continue to inspire generations to come. I am incredibly proud of all that the Kule Folklore Centre has accomplished over the past year. And now, as I step down from my current positions as Kule Chair and Interim Director of the Kule Folklore Centre, I embrace change and look forward to working within the community to support the Centre’s ongoing research-based focus, which connects the Ukrainian and Ukrainian-Canadian communities on a global scale. ![]() Larisa Sembaliuk Cheladyn BFA, MA, PhD Announcement of Appointment![]() Dr. Oleksandr Pankieiev I am pleased to announce that Dr. Oleksandr Pankieiev has been appointed the new Associate Professor and Kule Chair of Ukrainian Ethnography in the Department of MLCS and Director of the Kule Folklore Centre, commencing July 1, 2025. Dr. Pankieiev was previously a research coordinator at the Canadian Institute for Ukrainian Studies (CIUS) at the University of Alberta in Edmonton and is the current editor-in-chief of Forum for Ukrainian Studies, the online analytical magazine of the Contemporary Ukraine Studies Program. He is well recognized in the community for his academic scholarship. He has produced extensive publications and recently developed and taught the SLAV 399 - Contemporary Ukraine & Media Representation undergraduate course. Oleksandr brings boardroom expertise and executive experience as a long-time member of the Board of The Friends of the Ukrainian Folklore Centre and President of the Alberta Society for the Advancement of Ukrainian Studies. He is also a longtime advocate for community outreach. As president of the Alberta Ukrainian Film Festival, Oleksandr has championed an exchange between film producers and directors in Ukraine and communities in Canada. Please join me in congratulating Dr. Oleksandr Pankeieiv and celebrating our good fortune in attracting him to his new role in the Faculty of Arts at the University of Alberta. Larisa Sembaliuk Cheladyn, PhD KuFC RESEARCH SUMMARIES![]() DR. LARISA SEMBALIUK CHELADYN Kule Chair of Ukrainian Ethnography As Kule Chair of Ukrainian Ethnography at the University of Alberta, Dr. Sembaliuk Cheladyn specializes in Ukrainian Canadian culture, folklore, and traditions emphasizing memory and visualization of cultural identity. She works closely with her colleagues and the community to facilitate the sharing of historical information and to initiate the exploration of new intersections of knowledge. In addition to her responsibilities as Interim Director of the Kule Folklore Centre and Associate Lecturer, during the 2024/25 academic year, Larisa engaged in a full slate of research-creation projects, lectures, exhibits, and presentations. Her primary research project is the multi-disciplinary Ukrainian Voice Legacy Mosaic. It is an example of applying theoretical and practical approaches to
embodied memory and remediation as a form of preservation. The Ukrainian Voice Legacy MosaicOn April 2, 2025, the Ukrainian Voice Legacy Mosaic was installed at the Royal Alberta Museum in Edmonton. The event marked the culmination of six years of research. The Ukrainian Voice Legacy Mosaic captures the collective memories of the Ukrainian Canadian Community from the early 1920s to the mid-1990s. It is made from 2,674 wood and metal printing blocks arranged to represent a large embroidery pattern. The blocks were salvaged from Trident Press in Winnipeg, Canada’s oldest Ukrainian-language printing house, which was founded in 1910. The Mosaic was initiated by Larisa in 2018 and became a collaborative research-creation project engaging UAlberta students, alumni and the community. In May, the Ukrainian Voice Mosaic was a featured event at the UpperBound AI Conference, co-hosted by Amii and UAlberta. Larisa introduced participants to the application of predictive image recognition modelling and training for cultural/heritage installations. Using image recognition software, visitors can scan each block with their cell phone to further explore the details of each photo. The mosaic is on display at the Royal Alberta Museum from April to September this year. ![]() Visitors exploring Ukrainian Voice: A Legacy Mosaic at the RAM during the Community Celebration on April 27, 2025 Lectures and Presentations - 2024-25February 8 Lecture - Ukrainian Wedding Traditions Captured on Canvas, Alberta Council for the Ukrainian Arts, Edmonton, AB February 22 Presentation - Treasured Podushky: Stories from our Embroidery, Ukrainian Museum of Canada - Calgary Branch. February 26 Arts Now Lecture Series - The Medium, the Message, and the Collective Memories: Exploring the Photo Legacy of Lena and Thomas Gushul. University of Lethbridge. February 27
Exhibit Unveiling and Lecture - Lena and Thomas Gushul: Life In Front and Behind the Camera, Galt Museum, Lethbridge, AB. Hockey in the Ukrainian Canadian ContextFor over a century, hockey has played a significant role in the lives of Ukrainians in Canada. On March 10, 2025, the Kule Folklore Centre hosted the Canadian premiere of the documentary “Uke: The Untold Story of Hockey Legends”. This was a masterful research project by Ukrainian film Director, Volodymyr Mula. He explored the relationships between Canadian NHL hockey players of Ukrainian descent and their familial connections to historic events in Ukraine since the early 1900s. Embroidered MelodiesHave you ever wondered what embroidery could sound like if it were read as a musical score? That is the exact idea that crossed Larisa Sembaliuk Cheladyn's mind once she completed her analysis of over 700 Ukrainian Canadian embroidered pillows (Stitched Narratives 2016). With Dr. Olga Zaitseva-Herz, and encouragement from Ethnomusicologist, Dr. Michael Fishkropf, and his sonification of DNA, research has begun on translating embroidery motifs and patterns into musical compositions. KuFC RESEARCH SUMMARIES![]() DR. NATALIA KHANENKO-FRIESEN In addition to her many administrative responsibilities as Director of CIUS, Dr. Khanenko-Friesen, as the Huculak Chair of Ukrainian Culture and Ethnography, continues to apply her expertise in fieldwork as a research methodology to collect oral histories and testimonies from Ukrainians living in various geographic and social situations. She shares a glimpse into her recent oral history project with survivors of the Holodomor. Late-Life Testimony Work: Gathering Insights with Holodomor SurvivorsIn my oral historical work on various projects, I recently began to focus on the nature and experiences of late-life testimonial work that many members of the Ukrainian community find themselves doing. When laden with past trauma, late-life testimonies offer much light on memory and personal perseverance, the relationship between experiences of past injustices, the forms that the story takes, and the meanings it conveys. In 2022, I was privileged to interview Mr Pavlo Nazarenko of Saskatoon at the age of 101 about his experience of the Holodomor. In
2024, I sat down for two more interviews with Holodomor survivors, Natalie Konowal of 98 years and Taras Kakhno of 101 years, this time in the Chicago area. There is a lot to discuss when it comes to the nature of the Holodomor testimony as told by the survivors decades after the traumatic experience. There is much desire to pass the story on, and these accounts expose many raw emotions. These stories must be explored more deeply and further as they present the research community with a uniquely Ukrainian, trauma-informed documentary heritage. Pavlo Nazarenko’s video testimony that my team documented is now featured in one of the permanent galleries of the Canadian Museum of Human Rights. As an
outcome of this work, I was invited to write an article on my experience of working with Pavlo and producing a video documentation of his story. The article will be published in German in Trauma Kultur Gesellschaft, 3(1), 2025. Thank you to the Nazarenko family, the Kakhno family, the Konoval family, Iryna Kozina (CIUS), Lisa Unrau, Larysa Bilous (CIUS), Marta Baziuk (HREC), and Elina Shevchenko. ![]() ![]() Pavlo Nazarenko sharing his testimony. Saskatoon, March 1, 2022 KuFC RESEARCH SUMMARIES![]() DR. OLGA ZAITSEVA-HERZ Work on the Klymasz Song CollectionDr. Zatiseva-Herz continues to work on the Klymasz Song Collection. Primary tasks include organizing, sorting, and preparing digitized sound files and associated metadata. This process involves a close review of archival audio recordings, segmenting individual tracks, and standardizing file names to ensure consistency and accessibility. In particular, attention is given to identifying and matching recordings with Klymasz’s original indices and fieldwork questionnaires. To date, metadata has been compiled and edited to include key details such as performer names, recording dates, locations, and song titles, ensuring the materials are accurately documented and searchable. In collaboration with the Kule Folklore Centre, various approaches are currently being tested to identify a secure and sustainable platform for the online presentation of the collection, especially in light of recent digital uncertainties and the pressing need to safeguard Ukrainian cultural heritage. Sonification of Ukrainian Canadian EmbroideryTogether with Larisa Sembaliuk Cheladyn, Olga has developed a creative research project focused on the sonification of Ukrainian Canadian embroidery, transforming traditional patterns from Ukrainian podushkas into musical compositions. Drawing on historical motifs from embroidered garments and ritual motifs preserved in Ukrainian Canadian collections prepared by Larisa Sembaliuk Cheladyn, colour sequences, stitch density, and symbolic arrangements are translated into musical parameters such as pitch, rhythm, and texture. This interdisciplinary approach bridges tangible cultural heritage and sonic expression, offering a new way to experience embroidery as both a visual and auditory narrative at the same time. The project not only honours the aesthetic and symbolic richness of these artifacts but also encourages broader reflection on the resilience and adaptation of diasporic identity through artistic innovation. The research is expected to create different music tracks based on these embroidered patterns. Lectures, Presentations, Performances, and PublicationsIn addition to her research, Olga has had a very busy schedule of Lectures, Presentations, Performances, and publications. Read more... GRADUATE STUDENT RESEARCH ACCOMPLISHMENTSCongratulations to Anna Morozova on the successful defence of her MA thesis! Ukrainian Mosaics in the Face of Russian Appropriation: the Legacy of the Sixtiers and the Role of Alla Horska and Viktor Zaretskyi ![]() Anna Morozova Congratulations to Illia Pokotylo on the successful defence of his MA thesis! ![]() Illia Pokotylo Congratulations to Marta Dvuliat a long time research assistant at the Centre. ![]() Marta Dvuliat In May, PhD candidate Dmytro Yesypenko joined Dr. Jelena Pogosjan to present at the Wroclaw Conference on their research and publication related to Ukrainian Canadian photographers Thomas & Lena Gushul. ![]() Dmytro Yesypenko UNDERGRADUATE STUDENT RESEARCH PROJECTSFOLK 375 - Folklore and Digital MediaDuring the WINTER 2025 semester, a course in Folklore and Digital Media was offered for the first time at the University of Alberta. As part of the curriculum, designed by Dr. Sembaliuk Cheladyn, students explored the difference between “digital-born” folklore and analog folklore presented in a digital format. Congratulations to Jonathan Grossman on his final project, which was created on Google Sites; it is an excellent exploration of NAFO as a form of digital-born folklore. Read his article here: “The North Atlantic Fella Organization: Using Memes to Combat Russian Disinformation” ![]() The first Fella produced for @Kama_Kamilia. 2022 SLAV 320 Ukrainian Canadian CultureThe Ukrainian Canadian Culture course has been offered at the University of Alberta in various formats for over 20 years. In 2019, Dr. Sembaliuk Cheladyn redesigned the syllabus to include 14 topics related to Ukrainian Canadian folk life and folklore from 1891 to the present day. This year, the focus of the final research project was on Ukrainian Music on the Prairies. Following a guest lecture by Steven Chwok of CFCW’s Zabava radio program, each of the 25 students researched a piece of music and created a 90-second spot to
be aired at a future date this summer. ![]() Zabava with Steven Chwok banner ALUMNI NEWSCongratulations to Ukrainian Folklore Program Alumni, Rena Hancuk (BEd, MA) and Jason Golinowski (MA), co-recipients of the Ukrainian Foundation for College Education award for their outstanding work in the community. ![]() Rena Hancuk and Jason Golinowski FRIENDS OF THE KULE FOLKLORE CENTRE![]() The Society of Friends of the Ukrainian Folklore Centre is a non-profit society established to support the work of the Kule Folklore Centre at the University of Alberta. The Friends publicize the activities of the Centre, increase community awareness, engage in related research initiatives, and raise funds for future projects. Survey Results - Ukrainian Calendar Customs Survey 2023/2024Ukrainian calendar customs are plentiful and varied depending on location and demographics. Over centuries, immigration and political pressure impacted when, where, and how these traditions are celebrated. Changes often occurred in response to assimilation, integration, and social upheaval. Depending on the circumstances, the transition could occur over hundreds of years or in the blink of an eye. ![]() Graph with results of a survey on Calendar Customs celebration between the ages of 0-17 During the current chaotic world events and technological changes, the Friends of the Ukrainian Folklore Centre conducted an online community survey. The data collected will serve as a reference for future research initiatives related to how Ukrainians celebrated holidays and what customs they include in their daily lifestyles during this period of change. An analysis of the data is now available. Archival Residency - Anastasia FykThe Friends initiated their Archival Residency in November 2025. The first recipient of the award was Anastasia Fyk, who visited the Bohdan Medwidsky Ukrainian Folklore Archives for a total of four weeks to gather information and prepare a series of workshops and presentations. On March 14, 2025, the Friends proudly co-hosted Anastasia’s archival residency presentation: Propagating the Roots: The Living Culture of Ukrainian Social Dance. The public lecture/workshop was followed by a Zabava at the Ortona Arts Hub. Anastasia reflects on her work in the quick interview available below. ![]() Anastasiia Fyk during the visit to the Kule Folklore Centre, November 2024 New Mini DocumentariesDuring the past year, the Friends of the Ukrainian Folklore Centre commissioned three new mini-documentaries produced by Steven Brese and Legacy Films. PLEASE NOTEPlease click on "VIEW ENTIRE MESSAGE" below to read Part 2 of the Newsletter. FOLKLORE LUNCH SERIESThe Kule Folklore Lunches are a series of lectures held monthly during the Fall and Winter Terms. They feature presentations by current graduate students funded by the Kule Folklore Centre as well as guest lectures by scholars engaged in research topics related to folklore studies. Presentations are recorded whenever possible and uploaded to the Kule Folklore Centre YouTube Channel. The following lectures were hosted during the past year: ![]() Bohdan Medwidsky Ukrainian Folklore ArchivesThe Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) is an integral component of the Kule Folklore Centre at the University of Alberta. It is the leading Ukrainian Folklore Archive in Canada and plays a vital role in supporting research on Ukrainian-Canadian folklore, history, and culture around the world. Over the past academic year, archivist Nataliia Yesypenko and the BMUFA team have assisted with more than 60 new research requests, supporting researchers on various academic, community, and personal initiatives. In this newsletter, we unveil our new FINDING GUIDES and share recent research outcomes supported by materials and research services from the BMUFA. NEW! FINDING GUIDES![]() A major curatorial goal for the 2024/25 academic year was to streamline research services by introducing a series of 12 FINDING GUIDES. Each collection represents a popular topic, is organized according to language (English/ Ukrainian), and sorted into three categories - Library Resources, Audio Interviews and Videos, and Artifacts. We encourage everyone to explore our collection by accessing the handy Finding Guides available below. From the Archives - Highlighting Research OutcomesThe Bohdan Medwidsky Ukrainian Folklore Archives takes pride in our extensive collection of historic resource materials and professionally trained staff and student assistants. The following is a sampling of research projects that have recently come to fruition with the assistance of the BMUFA. 1. Graduate student Valeria Yakushko, from the Department of Anthropology at Western University (London, Ontario), used interviews from the Local Culture Project audio collection as a primary source in her study titled “Symbols of Wealth: Objects Shaping Everyday Life of Ukrainian Canadians.” She examined how everyday objects, such as grain threshing machines, cars, milk separators, and tractors, reflected economic success, symbolized wealth among Ukrainian Canadians, and shaped immigrant identity in Canada. 2. To assist with the development of the Ukrainian Community in Edmonton Map (Dr. Jeff Stepnisky - Kule Chair MacEwan University), Nataliia Yesypenko provided access to the archival newspaper collection, including Українські Вісті [Ukrainian News], Український Голос [Ukrainian Voice], Канадійський Фармер [Canadian Farmer] and Ukrainian News. Many issues of Ukrainian News have been digitized by the University of Alberta Library and the Internet Archive, in collaboration with the BMUFA. They are now available via the Internet Archive platform HERE. 3. Community scholar Joyce Sirsky-Howell explored the special library collection of Ukrainian-Canadian cookbooks. With the help of research assistant Anna Morozova, Nataliia Yesypenko scanned and provided access to the unique publication "Ukrainian-English Cook" (1917). Sirsky-Howell published her research findings in the article “Searching for and Documentation of Ukrainian-Canadian Cookbooks” in Culinary Chronicles: Occasional Papers of the Culinary Historians of Canada, New Series, Issue 3, 2023, which is available at the Kule Folklore Centre Library. Access the article HERE. 4. Personal genealogical research is a subject of constant interest, with individuals seeking archival records to trace their family histories and uncover personal connections to the past. An exceptional example of such a request was a private call, followed by a visit, from a person of Ukrainian descent who had lost the Ukrainian language. His goal was to uncover his private family correspondence in the Ukrainian language and find connections in Ukraine. Research assistant Marta Dvuliat took the initiative in this project and helped decipher and partially translate the family letters. ![]() Marta Dvuliat in the working process 5. "One man, talents many…" - Last year, the BMUFA supported Dr. Lada Tsymbala in her research on the artistic legacy of Wadym Dobrolige. As part of her work, Dr. Tsymbala collaborated with the Kule Folklore Centre team to curate the multimedia exhibition "One man, talents many…". This exhibition was successfully launched at Ortona ArtsHub in Edmonton, showcasing many of Wadym Dobrolige’s original works from the BMUFA collection. Online resources supporting Dr. Tsymbala’s exhibition can be accessed HERE. Dr. Larisa Sembaliuk Cheladyn and Dr. Lada Tsymbala during the Wadym Dobrolige Exhibit reception, November 2024 6. Dr. Matthias Kaltenbrunner explored interviews and photographs in the Local Culture and Diversity on the Prairies project. He summarized his research outcomes in the article “Pacifists and Nazi Sympathizers? Narrating the Canadian Mennonite World War II Experience in the Local Cultures Project” in the edited volume Global Russian Germans Berlin, 2024. This publication is available at the Kule Folklore Centre Library. Recent Archival Donations
Archival Residency Project 2024-25During the past year, the Archives welcomed Anastasia Fyk, a researcher from Manitoba. The Friends of the Ukrainian Folklore Centre supported her research on Ukrainian social dance in Canada through the Archival Residency Project. Anastasia spent several weeks in the Archives exploring the Ukrainian Canadian music collection, oral history recordings, Andriy Nahachewsky’s fieldwork collections, and the Kule Folklore Centre Library. Anastasia’s research culminated with a workshop and ‘Zabava’ on March 14, hosted at the Ortona Arts Hub, in Edmonton. ![]() Poster for the Workshop and Zabava by Anastasiia Fyk Open House Lecture |