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DECEMBER 2023

Class of 2025 Call for Applications

The application for the Class of 2025 National Fellows is now open!

More information and the application can be found here. The deadline to apply is February 1, 2024.

Three questions with...
2023 New Arizona Fellow Ross Perlin

Your Fellows project is the forthcoming book, Language City: The Fight to Preserve Endangered Mother Tongues in New York. Why was New York the ideal site for this project? What characteristics of the city lend themselves to both language learning and preservation?

Contemporary New York is the most linguistically diverse city in the world–indeed in the history of the world, with over 700 languages as documented in our Languages of New York map, including many that are endangered, Indigenous, and primarily oral. This is also 3-4 times more than the number found by the Census, which is completely inadequate when it comes to language. New York is certainly a unique and extraordinary case: a Lenape-speaking archipelago, then a Dutch colonial foundation exactly four centuries ago, and the premiere immigration gateway of the Americas since, with the largest foreign-born population in the world today. Linguistic diversity has fundamentally shaped the city’s culture, economy, politics, and patterns of settlement. But what is true of New York is now also increasingly true of cities everywhere, and Language City is a book about urban linguistic diversity, urbanization.

Some of your previous work has focused on labor, including your 2011 book Intern Nation. What intersections exist between labor and your work in language?

It’s been a long and fascinating road from Intern Nation, a muckraking exposé which launched a national conversation about how unpaid work has become normalized for young people and fundamentally made entry into the white-collar workforce more unequal. I was already well into my PhD in linguistics and my fieldwork in China at the time Intern Nation came out, and on the surface the two books could not be more different. And yet there’s a thread: I’m drawn to large, messy topics hiding in plain sight, where whole ways of seeing the world are at stake. Semantics shape politics at every level. Some of the central issues that I wrestled with around internships and labor had to do with language, and labor issues certainly come out in Language City.

One of the foundational principles of linguistics is that all languages are equal. What would it look like for a society to reflect this concept?

The principle of linguistic equality is a complex one, not widely diffused among non-linguists, but basically it states that every language on a cognitive and communicative level has been able to do everything its speakers or signers have needed to do. No native language is broken or lacking in grammar, and words for new concepts or items can always be borrowed or coined. Inequalities between languages result from inequalities between their users, rooted in power and history. Among the many reasons that endangered languages deserve our respect and support there is the matter of justice, since majority language speakers have done so much for so long to marginalize, demean, and otherwise drive out these languages. There’s much to do at every level, but it’s time for societies and governments to invest seriously in linguistic diversity and language access, so that all people have the ability to use and develop their mother tongues.

Two Cents

We asked Fellows to share their favorite stage in the creative process.

1: My instinct to say brainstorming. I often find dreaming of possibilities the most exciting. But I am in the murky middle of a project with a much longer horizon than what I am used to, and finding it so satisfying. — Jenny Medina, Class of 2023

1: Outlining the project, since it forces me to think about the overall narrative arc of what I am writing and the audience I am writing for.
— W. Ralph Eubanks, Class of 2007

1: I love the feeling of, when reporting on the road, rushing back to my hotel room to write down as much sensory detail as I can while it’s still fresh. What did the place look like, smell like, sound like? What did the air feel like on my skin. How do I describe the sound of a particular person’s voice or the wrinkles on their forehead? I love spending time trying to capture those details while they are still with me.
— Clint Smith, Class of 2020

1: Rewriting. Nothing better than deleting a paragraph and writing it all over again. Almost always when the best thoughts happen.
— Jonathan M. Katz, Class of 2019

1: Printing out hard copies of drafts, especially when I reach a natural break point like the end of a chapter. There’s something incredibly satisfying about holding actual paper in hand that feels like an accomplishment, even if there’s still a long way to go.
— Ellen D. Wu, Class of 2022

Newsworthy

Read our Year in Review for an overview of Fellows' accomplishments in 2023.

Patricia Evangelista appeared on All Things Considered to discuss her book, Some People Need Killing. 

Azam Ahmed was interviewed for the podcast Keen On about his book, Fear Is Just a Word. 

Jonathan Blitzer was interviewed about his forthcoming book, Everyone Who is Gone is Here, in Publishers Weekly

Recommend this month

It’s a great example of how investigative journalism can be brought on to the big screen.
— JoeBill Muñoz,
Class of 2024

Learn More

Tackling etiquette violations (rude co-workers, clueless in-laws) is a soothing reminder that there are actually problems in the world that be resolved swiftly and justly.
— Ellen D. Wu
Class of 2022

Learn More

Classic, serialized New Yorker story on the search for a crashed WWII bomber in Papua New Guinea, written with hypnotic granularity. 
— Matthew Wolfe,
Class of 2024

Learn More

Free Swag

Fill out the form below for a chance to win a copy of The Hungry Season by Lisa M. Hamilton, Class of 2019.

Please submit by Monday, December 11th to be considered.

Get Swag!

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