The Conversation

The hype surrounding AI has reached a point where there is now a groundswell of sentiment pushing back against some of the more extravagant claims. Given Silicon Valley has yet to develop a version of autocorrect that isn’t extremely annoying, a degree of scepticism would certainly seem to be warranted. In his sharp review of a new book that labels AI a “con”, Luke Munn argues that demystifying how AI actually works is crucial to understanding what it can do and, no less importantly, what it can’t do.

Thinking critically about technological development is particularly important when it comes to warfare. Sophisticated new weaponry, including AI, has radically changed the face of contemporary conflict. The use of drones and computerised targeting systems is now common; space is increasingly a contested frontier. Yet as Kevin Foster points out, militaries have pursued technological advantages throughout human history. The underlying issues are, in a sense, timeless.

For those weary of all the conflict, our Friday essay this week is a wonderfully affirming story from Alice Pung about her relationship with her self-appointed “godparents” and their role in instilling her with a lifelong love of reading.

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Deputy Books + Ideas Editor

 

Is AI a con? A new book punctures the hype and proposes some ways to resist

Luke Munn, The University of Queensland

AI slop means faster and cheaper content, and the technical and financial logic of online platforms creates a race to the bottom.

Technology is transforming the face of modern warfare, but some things never change

Kevin Foster, Monash University

Drones, AI-targeting systems and the jostle for power in space raise a host of ethical questions about how, when, where and why we should fight.

Friday essay: ‘the magnitude of their love was extraordinary’ – how an elderly couple showed Alice Pung the power of a good story

Alice Pung, The University of Melbourne

In Alice Pung’s family, love was imbued with anxiety and fear. But in books, adults had reasoned discussions and talked to children as if their thoughts mattered.

Monsters reflect our darkest fears, from zombies to werewolves. But they also bring us together

Martine Kropkowski, The University of Queensland

Take a world tour of monsters, from vampires in Serbia and giants in Cornwall to festivals of dragons in Bavaria and werewolves in Louisiana.

Ibn Battuta, a 14th-century judge and ambassador, travelled further than Marco Polo. The Rihla records his adventures

Ismail Albayrak, Australian Catholic University

Food, religious rituals, gender relations … Ibn Battuta described them all in his travelogue, which covered the medieval Islamic world, India, China and beyond.

From Mumbai’s ‘illegal migrant workers’ to Melbourne crypto traders, The Degenerates is global Australian literature

Michelle Cahill, University of Tasmania

Raeden Richardson’s surreal, gritty novel both dazzles and overwhelms, while showing empathy for the marginalised and their stories.

More great reading

Who called Shakespeare ‘upstart crow’? Our study points to his co-author, Thomas Nashe

Brett Greatley-Hirsch, University of Leeds; Andrew Hadfield, University of Sussex; Rachel White, Durham University

Perhaps he intended to denigrate Shakespeare as a jack-of-all-trades player-turned-playwright who should have stuck to acting.

As one of Shakespeare’s least performed plays, Coriolanus is startlingly relevant under Trump 2.0

Kirk Dodd, University of Sydney

Set in the turbulent early Roman Republic the play follows the glorious rise of Coriolanus, a terrifying war machine on the battlefield.

‘Baths, wine, and sex make life worth living’: how ancient Romans used public baths to relax, work out and socialise

Peter Edwell, Macquarie University

Public baths also often featured gymnasiums, libraries, restaurants and exercise yards. Archaeological evidence suggests even dentistry was performed at the baths.

From HAL 9000 to M3GAN: what film’s evil robots tell us about contemporary tech fears

Adam Daniel, Western Sydney University

The killer robot is far from a simple villain. It is a mirror held up to cultural questions we have about human autonomy and responsibility in the digital age.

 

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