If trick-or-treating or Halloween parties aren’t possible for you this year due to COVID-19 or because the everyday social evils of the world are a little too present, maybe you’re looking at a scary screening on your couch with horrific amounts of candy.

Today in The Conversation Canada, Julia Petrov of the University of Alberta and Gudrun D. Whitehead of the University of Iceland draw on insights from their book, Fashioning Horror: Dressing to Kill on Screen and in Literature to consider fashion and costumes in six films that could be contenders for your Halloween fright night.

The authors note in some films, “women’s violent struggles as perpetrators and victims of horror — in the pursuit of sexual freedom, social empowerment and fulfilment of desire — are reflections of the concerns of a conflicted and changing society.”

To me, horror is a proceed-with-caution genre because exposing the underbelly of hidden hauntings may be a charged prospect. My hope is that art about the unspeakable has the larger aim of acknowledging what is marginalized to ultimately allow us to inhabit a kinder and more equitable social world.

Also today:

Regards,

Susannah Schmidt

Education + Arts Editor

‘The Craft: Legacy,’ to be released this fall, is a remake of the 1996 teen witch film ‘The Craft’ and suggests the continued relevance of punk and goth influences for rebellious teens. Here, detail from the 2020 poster. (Sony Pictures/Blumhouse Productions)

Dressed to kill: 6 ways horror folklore is fashioned in the movies

Julia Petrov, University of Alberta; Gudrun D Whitehead, University of Iceland

Some horror films explore women’s struggles for empowerment, sexual freedom and self-fulfilment. Six movies show the ghost, bride, mother, vampiress, witch and monster as guises of vengeful women.

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Lydie C. Belporo, Université de Montréal

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