In 1906, US composer and marching band king John Philip Sousa wrote an article for Appleton’s Magazine titled The Menace of Mechanical Music. In it he bemoaned devices with the ability to “sing for us a song or play for us a piano, in substitute for human skill, intelligence, and soul”.

Sousa was worried the gramophone and the player piano, by making it possible to hear music without the presence of musicians, would lead to the decline of musical education and culture. Was he right?

Over the past century, we have listened to music via radio, vinyl, tapes, CDs, mp3s and Spotify, while inventions like electric guitars, synthesisers, samplers, autotune and affordable software have transformed the way music is made. All these technological changes have had cultural ramifications, from the birth of recording artist megastars to the way today’s pop is optimised to soundtrack viral video snippets. And of course, music continues to play an enormous role in our lives.

The latest change to the game is generative music: following in the footsteps of AI text and image generators like ChatGPT and DALL-E, new apps called Suno and Udio can generate entire songs on demand from a simple text prompt.

Researcher and music producer Oliver Bown has been working with various creative technologies for the past 15 years, and the current pace of change, he writes, “has floored me”. The current wave of AI tools are so good, in Bown’s view, that the discussion of whether computers can make “real” music is all but over.

You can listen to some of Bown’s AI-assisted creations (or perhaps AI’s Bown-assisted creations) in his article, and make up your own mind.

And what about the cultural ramifications? Will AI be putting composers and producers out of work? Not any time soon, Bown thinks. The real impact is likely to be for consumers: summoning up songs on demand for friends’ birthdays or to make jokes, or simply exploring possibilities for entertainment.

Meanwhile, one thing that hasn’t changed in the past century is tussles over intellectual property. Sousa complained of companies that would “take an artist’s composition, reproduce it a thousandfold on their machines, and deny him all participation in the large financial returns” – and today’s generative AI, trained on vast bodies of work produced by humans, often without their consent or knowledge, is triggering similar concerns.

Michael Lucy

Science Editor

AI can now generate entire songs on demand. What does this mean for music as we know it?

Oliver Bown, UNSW Sydney

‘Uncanny’ AI music generators blur the line between creators and consumers. Will they turn music from high art to an everyday language? Listen to these AI-generated tracks and judge for yourself.

Best reads this week

Does the AFL ban on skinfold testing avoid fat shaming – or has footy ‘gone soft’?

Dominique Condo, Deakin University

Skinfold tests were once a staple of AFL fitness assessments, but are now banned for junior athletes. Is this a sign footballers have ‘gone soft’, or is there good reason for it?

Have smartphones created an ‘anxious generation’? Jonathan Haidt sounds the alarm

Hugh Breakey, Griffith University

A new book argues that the first generation to go through puberty connected to their smartphones have had their brains rewired for depression and anxiety.

Holy moly! Scott Morrison has plans for your (and his) own good

Joshua Black, Australian National University; Frank Bongiorno, Australian National University

Scott Morrison’s Plans for Your Good is part political memoir, part self-help book, and very strange.

When supplies resume, should governments subsidise drugs like Ozempic for weight loss? We asked 5 experts

Fron Jackson-Webb, The Conversation

Neither Ozempic nor Wegovy are listed on the PBS to treat obesity. When Wegovy becomes available, users will need to pay the full price. Or should the government subsidise it?

Why are adults without kids hooked on Bluey? And should we still be calling it a ‘kids’ show’?

Jessica Balanzategui, RMIT University; Djoymi Baker, RMIT University

Bluey’s widespread appeal can be considered a symptom of the slow decline of age-based viewing.

Psychological drama, wilderness reality and everyone’s favourite dog: the best of streaming this May

Erin Harrington, University of Canterbury; Edith Jennifer Hill, Flinders University; Joy McEntee, University of Adelaide; Liz Giuffre, University of Technology Sydney; Phoebe Hart, Queensland University of Technology; Stuart Richards, University of South Australia

It seems to be a time of old favourites: this month we have new seasons, adaptations, and a documentary on childhood television memories.

Podcasts

Dean Lewins/AAP

Politics with Michelle Grattan: Anne Summers says we need much more information on male perpetrators of violence against women

Michelle Grattan, University of Canberra

In this podcast, we're joined by Dr Anne Summers, a longtime writer and advocate on women's issues to discuss the horrific number of women murdered this year.

TSViPhoto/Shutterstock

Computer science culture often means anybody’s data is fair game to feed the AI algorithm – but artists are fighting back

Gemma Ware, The Conversation

Daniel Angus, a professor of digital communication, explains how artists are trying out data poisoning to protect their intellectual property. Listen to The Conversation Weekly podcast.

Shutterstock.

Curious Kids: how high could I jump on the moon?

Jacco van Loon, Keele University

You could jump much higher on the moon than you can on Earth – but you’d be in no danger of shooting off into space.

Our most-read article this week

Gone in a puff of smoke: 52,000 sq km of ‘long unburnt’ Australian habitat has vanished in 40 years

William Geary, The University of Melbourne; Dale Nimmo, Charles Sturt University; Julianna Santos, The University of Melbourne; Kristina J Macdonald, Deakin University

We compiled maps of bushfires and prescribed burns in southern Australia from 1980 to 2021 to see how fire activity is changing habitat for 129 threatened species such as mountain pygmy possums.

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