The Conversation

Andre Breton, author of the century-old Surrealist Manifesto, saw women as mysterious objects: without creativity or intellect, but able to inspire men’s creative urges. "Of course the women were important," said influential surrealist Ronald Penrose in 1982. "But it was because they were our muses."

I don’t know about you, but I’d never heard of Penrose before I read Joanna Mendelssohn’s review of this book on last century's overlooked avant garde women artists.

I had, however, heard of his wife, Lee Miller, who as well as being a daringly original surrealist photographer, captured some of the most important news photographs of World War II. With her Grace Kelly good looks, she was also the muse of surrealist photographer Man Ray (and Penrose, I guess), but I find this much less interesting than her own work.

Tomorrow is the 80th anniversary of Nuremberg, often called "history’s greatest trial". Holocaust historian Jan Lanicek tells how it made Nazi leaders and organisations culpable for their crimes. In today’s divided world, he concludes, a trial like this – which requires a major military defeat and occupation by those willing (and able) to bring leading politicians to justice – would be unlikely to happen.

Until next time,

Jo Case

Senior Deputy Books + Ideas Editor

The daring women artists of last century were often sidelined as muses. A new book celebrates their brilliance

Joanna Mendelssohn, The University of Melbourne

In A Woman’s Eye, Her Art, Drusilla Modjeska unpacks how the once-forgotten women artists of the early 20th century continue to inspire today.

Friday essay: the Nuremberg Trials at 80 – could such a reckoning ever happen again?

Jan Lanicek, UNSW Sydney

Nuremberg, often called ‘history’s greatest trial’, officially opened on October 18 1945. It held senior Nazi leaders to account for war crimes during the Holocaust.

Theft, lies and butterflies: the Englishman who stole thousands of specimens from our museums

Prudence Gibson, UNSW Sydney

In his rollicking scientific true-crime book, The Butterfly Thief, Walter Marsh delves into the dark side of museum collection histories – and one bizarre heist.

How does ‘common knowledge’ shape our individual lives and our societies? Steven Pinker has some ideas

Jamie Q. Roberts, University of Sydney

We believe things because doing so helps us belong and upholds a certain moral order, but not necessarily because they are true.

Peter Thiel thinks Greta Thunberg could be the Antichrist. Here’s how three religions actually describe him

Philip C. Almond, The University of Queensland

By the ninth century, influenced by the Christian idea, Islam and Judaism each had their own Antichrist figures who would come at the end of history.

Two true crime books on the mushroom trial are out – one is told by a fictional juror

Rick Sarre, University of South Australia

A legal expert reviews Duncan McNab’s Recipe for Murder and Greg Haddrick’s The Mushroom Murders – both published on the same day.

What will Australia be like in 2058? A new novel imagines division, unemployment – and activism

Joanne Anderton, The University of Queensland

Andrew Roff’s debut novel, Here Are My Demands, looks forward to an imagined future – but seems more concerned with now.

More great reading

Diane Keaton thrived in the world of humour – and had the dramatic acting chops to back it up

Chris Thompson, Australian Catholic University

Diane Keaton has died at the age of 79. We were the richer for her creative life and are the poorer for her loss.

Lee Miller retrospective confirms her as one of the most important photographers of the 20th century

Lynn Hilditch, Liverpool Hope University

The biggest Lee Miller show since 2007, this new exhibition tells her complex story through 250 modern and vintage prints, including previously unseen images.

Israelis are hailing Trump as Cyrus returned – but who was Cyrus the Great, anyway?

Peter Edwell, Macquarie University

One wonders what Cyrus the Great, founder of the Achaemenid Persian empire, would think of the comparison.

Guillermo de Toro’s Frankenstein: beguiling adaptation stays true to heart of Mary Shelley’s story

Sharon Ruston, Lancaster University

Guillermo del Toro’s retelling of the story about a scientist trying to create life is a visual treat and a rousing adaptation.

 

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