Editor's note

Captain James Cook and the crew of the Endeavour stepped ashore 250 years ago at Kamay, on the lands of the Gweagal Clan of the Dharawal Nation. Cook called it Botany Bay. The encounter started almost immediately with violence, as Cook fired a musket loaded with small shot at Gweagal warriors who protested the arrival of these strangers.

Today, we’re launching a series of essays reflecting on these early encounters – both in Sydney and around what came to be known as Cooktown, where the Endeavour ran aground on the Great Barrier Reef.

An interactive by The Conversation’s multimedia editor Wes Mountain threads together dozens of perspectives to trace Cook’s journey through the Pacific and his interactions with Indigenous peoples. It also explores how – 18 years after the Endeavour left – Australia came to be the site of a new British penal colony.

We’re also hearing from Aboriginal historian John Maynard on how an honest reckoning with Cook’s legacy might help chart a path to reconciliation and from researcher and filmmaker Alison Page, a descendent of the Walbanga and Wadi Wadi people of the Yuin nation, on why Joseph Banks, for her, “emerges as a much colder, unkinder figure” than Cook.

David Andress reflects on Banks – the man, the scientist and the agent of empire – while Bruce Buchan unpicks the role botany played in Britain’s imperial aspirations.

Shino Konishi explains how Cook’s dealings with Indigenous people grew increasingly violent over the course of his three Pacific voyages, while Kate Fullagar shines a light on Indigenous navigators and translators Tupaia and Omai and their vital role as Captain Cook’s unsung shipmates.

Louise Zarmarti reviewed several decades worth of school textbooks to reveal how the way we’ve been taught about Captain Cook and his encounters with Indigenous Australians has changed over time, while Kate Darian-Smith argues re-enactments of the Endeavour’s voyage have perpetuated myths of Australia’s “discovery”.

We hope you find this essay series as enjoyable, challenging and eye-opening to read as we did to curate.

Sunanda Creagh

Head of Digital Storytelling

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Great Spirit and Rainbow Serpent – Jeffrey Samuels (used with permission, no re-use)

Explorer, navigator, coloniser: revisit Captain Cook’s legacy with the click of a mouse

Sunanda Creagh, The Conversation; Wes Mountain, The Conversation; Justin Bergman, The Conversation

Explore Cook's journey through the Pacific, the orders that brought him in search of the 'Great Southern Land' and the impact of his arrival in our new interactive.

Uncle Fred Deeral as little old man in the film The Message, by Zakpage, to be shown at the National Museum of Australia in April. Nik Lachajczak of Zakpage

An honest reckoning with Captain Cook’s legacy won’t heal things overnight. But it’s a start

Sunanda Creagh, The Conversation

The impact of 1770 has never eased for Aboriginal people. It was a collision of catastrophic proportions.

A scene from the author’s film The Message, commissioned by the National Museum of Australia. At the first encounter in Botany Bay, two Gweagal warriors threw stones and spears at Cook, saying ‘warrawarrawa’, meaning ‘they are all dead’. Nik Lachajczak of Zakpage

‘They are all dead’: for Indigenous people, Cook’s voyage of ‘discovery’ was a ghostly visitation

Alison Page, University of Technology Sydney

Incidents from Cook's first voyage highlight themes relevant in Indigenous-settler relations today: environmental care, reconciliation and governance. This collision of beliefs, it seems, wasn't lost on Cook.

Portrait of Mai, also known as Omai or Omai of the Friendly Isles. Wikimedia Commons

The stories of Tupaia and Omai and their vital role as Captain Cook’s unsung shipmates

Kate Fullagar, Macquarie University

Both islanders played a central role in Cook's three voyages across the Pacific, but their contributions have largely been overshadowed in what is generally thought of as era of European exploration.

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