The theory that the pandemic started with the coronavirus leaking from a lab may never be proven. But we can still learn a lot from its rise, fall and rise again. The lab-leak theory was hastily dismissed early on in the pandemic partly because of who raised it, argues Peter Knight. Because it was put forward by serial peddlers of conspiracy theories and misinformation – including Donald Trump – it wasn’t given proper consideration.

But it’s also been long-lived because of how we see the world. Because we’re so ready to identify things as being definitely conspiratorial or definitely not, when we encounter the reality of life, with its confusing, messy details and many coincidences, we’re very quick to see grand master plans and mysterious cover-ups that aren’t there.

Though the most likely explanation for the virus is a natural one, that doesn’t make the pandemic a natural disaster. The last 18 months have revealed just how much it’s actually society and its policies, not nature, that drives the development of such disasters, for better or worse. To start our new series on resilient recovery, Ilan Kelman has used this idea to offer up a six-point pandemic build-back plan to help prevent such a catastrophe happening again. Watch out for more from this series throughout the week.

And finally, we learn how artists who can’t see things in their “mind’s eye” are able to create even though they can’t visualise.

Rob Reddick

Commissioning Editor, COVID-19

Reuters/Alamy Stock Photo

COVID-19: why lab-leak theory is back despite little new evidence

Peter Knight, University of Manchester

New theories about the lab leak don't make the case for it any stronger, but do reveal the messiness of how historical events play out.

Chamila Karunarathne/EPA-EFE

‘Natural’ disasters are due to societal failures – so, here’s a six-point pandemic recovery plan

Ilan Kelman, UCL

Natural disaster is a misnomer. Disasters occur due to societal failures, not nature.

Glen Keane at work. Google ATAP

The art of Aphantasia: how ‘mind blind’ artists create without being able to visualise

Matthew MacKisack, University of Exeter

The condition challenges the centuries-old idea that all great artists are able to envision what they're drawing.

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