Ho Jae Kim, Studio Island, 2024, oil, graphite, inkjet transfer, enamel, and paper on canvas, 52 x 40 inches

Ho Jae Kim
Castaway

August 10 through September 11, 2024
Opens Saturday, August 10, 6–8pm

Harper’s East Hampton
87 Newtown Lane, East Hampton, NY 11937
Daily, 10am–6pm

Harper’s is pleased to announce Castaway, New York-based artist Ho Jae Kim’s third solo exhibition with the gallery. The presentation features new paintings by Kim and opens Saturday, August 10, 6–8pm, with a reception attended by the artist. 

Across his rigorous practice, painter Ho Jae Kim examines questions of liminality: the artist renders scenes of existential transition and disorientation, transcribing the wayward architectures of purgatory and other entrapped states. In Castaway, Kim continues to investigate the aesthetics and affects that color this psychic in between. He considers the film Cast Away (2000) as a cultural reference from which to address such interior reckoning. In the blockbuster film, Tom Hanks plays a man deserted on an island; with few tools and resources, he must learn how to endure the trauma of solitude. He personifies a volleyball to cope with his loneliness, naming it Wilson. As Kim sees it, Wilson does not only function as a material object. Like an artwork, Wilson is the product of internal and external rumination—he embodies the protagonist’s psyche. 

For Kim, the career of an artist fosters the kind of psychic alienation invoked by an uninhabited island. To produce work, an artist must engage in persistent self-reflection: they must undergo a vulnerable process of questioning their ideas, realizing them, and then ushering them into public viewership. The artist’s studio can thus be seen as a site of unprecedented hardship, but also nourishment—a place that challenges brave souls to uncover difficult truths. Kim encapsulates this schism in the work Studio Island. Here, a nude figure sits beneath the shade of a palm tree, painting hatch marks on a large canvas indexing time. The painting, like the figure, appears obscured, enshrouded by the darkness that likely awaits in a nearby jungle. But beyond the tree, light emerges: speckled beige brushstrokes color a brilliant sky and a sandy beach, like a silver lining of clarity after troubling introspection. 

This meditative scene, like many of the featured works, appears weathered by its layers. Kim’s intricate process involves sketching, digital rendering, chemical transferring, and adding thick swaths of ink and pigment. The resultant works incorporate dense impasto, harboring the essence of many marks and concepts built into the fabric of each visual plane. This intricate process takes center stage in the textural work, Mythical Island. Here, a figure is engulfed by unforgiving terrain: compact coats of stirring gold, pink, and navy shade the forlorn intersection where the ocean meets the sky. The unyielding brushwork shades a man who holds up a dripping vessel in front of the sea—a prized discovery amidst the pitfalls of survival.

Ultimately, throughout Castaway, Kim sustains a tone that yearns for rescue. Across these scenes of lonely strife, the artist’s protagonists appeal to be saved from misery. In the same breath, however, Kim uplifts the knowledge that arises from a state of enduring isolation. It is within these moments that one is forced to address the inner workings of the mind and spirit, narrowing in on the inquiries and reasonings that drive us forward. Castaway demystifies the fear of being alone. In this moving exhibition, Kim reveals the latent insight derived from periods of solace.

Ho Jae Kim (b. 1993, Seoul, South Korea) received a BFA from Rhode Island School of Design in 2016. Most recently, he has participated in exhibitions at Harper’s, New York, Los Angeles, and East Hampton (2024, 2023, 2022, and 2021); Nicodim Gallery, Los Angeles (2023); Make Room, Los Angeles (2023); NEXX Asia, Taipei (2023); Christie's, New York (2022 and 2020); Sotheby’s, New York (2022 and 2018); and EXPO Chicago, online (2021). Kim’s work has been acquired by the collections of JPMorgan Chase, Morgan Stanley, and X Museum, Beijing. He lives and works in New York City.

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Ho Jae Kim, Call Me Wilson, 2024, oil, graphite, inkjet transfer, enamel, and paper on canvas, 56 x 40 inches

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